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Rod Steiger

"Is this a proposal? I'm married now, you know."

Now,
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"Is this a proposal? I'm married now, you know."

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Amber Hurdle

"Scientists now believe that the primary biological function of breasts is to make males stupid."

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Amber Hurdle

"I have, before now, waited for a pen to perform a macro."

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Amber Hurdle

"Now I have to have the biggest P.O. box in the entire post office to get all the manuscripts coming in."

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Amber Hurdle

"He said it was artificial respiration, but now I find I am to have his child."

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Amber Hurdle

"I'm writing a new book right now that is like an erotica manifesto."

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Amber Hurdle

"You will now have a starting place and a destination, and you will be able to determine what it will cost you to get there. You will be going someplace."

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Amber Hurdle

"Schools used to fund-raise for luxuries, like a trip to the water slides. Now, we fund-raise for things we have to have."

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Amber Hurdle

"Gaylord Perry and Willie McCovey should know each other like a book. They've been ex-teammates for years now."

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Amber Hurdle

"If you are not happy here and now, you never will be."

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Amber Hurdle

"Every now and then, I strike something that just goes click, you know, in my head. As Gertrude Stein used to say, it rings the bell, and I feel, this is great."

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Rod Steiger
"I said 'well, I'll kiss her twice, you see? We'll come around, I'll kiss her, and if you put a little more track down for the camera, then I'll put my tongue down her throat and you'll get what you want'. He said 'You think so?'"
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Rod Steiger
"Sometimes it's great, sometimes it's bad. I think the film could have been a lot better."
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Rod Steiger
"I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear."
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Rod Steiger
"I didn't ever think of it as a social thing at the time. I took it as a good story. Maybe because I've always been kind of progressive so I never thought of it, you know."
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Rod Steiger
"That's not a villain, that's a man whose a victim of being in love with the wrong one."
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Rod Steiger
"Now that was one thing, but from an actor's point of view, this poor young man, crying from the moment I opened the door to the moment he left. Now if an actor did that they would say he's over-acting."
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Rod Steiger
"I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something."
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Rod Steiger
"Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself."
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Rod Steiger
"And the reason I really appreciated this is because after the picture came out, I was invited by the American Psychiatric Association to give a lecture. I couldn't believe it!"
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Rod Steiger
"I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that."
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