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Tony Goldwyn

"I want to keep doing different things. I'd like to do a more personal, dramatic movie next, I think. But as long as it's about characters and good writing and good parts for actors, that's what's important."

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"I want to keep doing different things. I'd like to do a more personal, dramatic movie next, I think. But as long as it's about characters and good writing and good parts for actors, that's what's important."

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Amber Hurdle

"What we do as actors is we go through phases where you superficially learn all this information."

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Amber Hurdle

"You know, for an actor to come into the midst of that, it's - It can either be difficult and somewhat unnerving, or it can be very embracing and like, kind of stepping into a nice hot tub."

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Amber Hurdle

"There are certain actors who are very good at improvising, like Dustin Hoffman and Glenda Jackson."

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Amber Hurdle

"As actors, we went where we wanted to, and the camera followed us: it was like having another person in the room. There was no formal structure to the process. It was very liberating."

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Amber Hurdle

"I might have a guitar or a piano on set to play something for the actors."

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Amber Hurdle

"There's a real separation between actors and all the other functions of Hollywood. If you're an actor you're somehow not a member of the crew. You're somehow more special. I hate that."

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Amber Hurdle

"It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre."

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Amber Hurdle

"A lot of actors don't like to see how they've done every day."

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Amber Hurdle

"An actor without a playwright is like a hole without a doughnut."

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Amber Hurdle

"You ask any actor - they'll tell you they'd rather shoot on location because you don't have to invent the energy, the energy is there."

Explore more quotes by Tony Goldwyn

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Tony Goldwyn
"My parents kept us sheltered from this world of Hollywood. I don't have any great memories of bouncing on Cary Grant's knee or something like that."
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Tony Goldwyn
"I grew up in Hollywood. Saying my name here is like mentioning Ford in Detroit."
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Tony Goldwyn
"I don't want to do an action movie, because I've acted in them, and they're so boring to do, because they're so technical. The headache of that is daunting. But, if it were an action movie with really interesting characters, how great would that be?"
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Tony Goldwyn
"I don't get over the wonder of it, and 'The Last Samurai' was an extreme example of that. Every day when I went to the set, I couldn't believe what I was seeing."
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Tony Goldwyn
"I view the whole thing as a collaboration. As an actor, I always found that to be the most freeing thing, when the director would collaborate with you, so that together you'd come up with something exponentially better."
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Tony Goldwyn
"The more decisions you make, the better, statistically, your odds of success are. And what I also learned was, it doesn't matter: anything can be fixed. When you're directing, you can agonize, but you can't indulge. Stuff has to happen."
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Tony Goldwyn
"I want to keep doing different things. I'd like to do a more personal, dramatic movie next, I think. But as long as it's about characters and good writing and good parts for actors, that's what's important."
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