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Diana Gabaldon

"You want to anchor the scene with physical details, but by and large it's better to use sensual details rather than overtly sexual ones."

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"You want to anchor the scene with physical details, but by and large it's better to use sensual details rather than overtly sexual ones."

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Amber Hurdle

"Logic: The art of thinking and reasoning in strict accordance with the limitations and incapacities of the human misunderstanding."

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"History develops, art stands still."

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"To catch a husband is an art; to hold him is a job."

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Amber Hurdle

"You do not need a boyfriend or a girlfriend to write an emotional poet, because poetry is beyond hooks and holes."

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Amber Hurdle

"The basis of art is truth, both in matter and in mode."

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"Music heals all forms of misery."

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Amber Hurdle

"Modernity is the transient, the fleeting, the contingent; it is one half of art, the other being the eternal and the immovable."

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Amber Hurdle

"The play was a great success, but audience was a dismal failure."

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Amber Hurdle

"The man can neither make, nor retain, one moment of time; it all comes to him by pure gift; he might as well regard the sun and moon as his chattels."

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Amber Hurdle

"The business of art lies just in this, -- to make that understood and felt which, in the form of an argument, might be incomprehensible and inaccessible."

Explore more quotes by Diana Gabaldon

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Diana Gabaldon
"Good sex scene is about the exchange of emotions, not bodily fluids."
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Diana Gabaldon
"It's always better if they see. Then they don't imagine things. So I didn't imagine, I remembered."
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Diana Gabaldon
"For a different woman, a different relationship, a different situation, gentleness might have been the proper, the only approach-but not for this woman, in these circumstances. The only thing that will cleanse Claire (and reassure her: look at what she says at the end of it. She feels safe again, having felt the power and violence in him) is violence. And-the most important point here-Jamie pays attention to what she wants, rather than proceeding with his own notion of how it should be, even though it's a sensible notion and the one most people would have."
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Diana Gabaldon
"That's the best thing I can think of. Having a good hold on your arse always makes me feel steady."
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Diana Gabaldon
"I put back my head, looking up at the deep black sky swimming with hot stars. If you knew they were really balls of flaming gas, you could imagine them as Van Gogh saw them, without difficulty . . . and looking into that illuminated void, you understood why people have always looked up into the sky when talking to God. You need to feel the immensity of something very much bigger than yourself, and there it is - immeasurably vast, and always near at hand. Covering you."
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Diana Gabaldon
"It's a good country for myths. Things seem to take root here."
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Diana Gabaldon
"It would ha' been a good deal easier, if ye'd only been a witch."
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Diana Gabaldon
"When I turned 35, I thought, 'Mozart was dead at 36, so I set the bar: I'm going to start writing a book on my next birthday.' I thought historical fiction would be easiest because I was a university professor and know my way around a library, and it seemed easier to look things up than make them up."
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Diana Gabaldon
"I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower's stem."
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Diana Gabaldon
"Just as an effective advertisement or page layout includes a lot of white space, a powerful scene requires immense restraint. Show things as simply as possible."
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