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"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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"Why have we built warships to bring home peace?"
"Fire supposed he needed to be there in order to give rousing speeches and lead the charge into the fray, or whatever is was commanders did in wartime. She resented his competence at something so tragic and senseless. She wished he, or somebody, would throw down his sword and say, 'Enough! This is a silly way to decide who's in charge!' And it seemed to her, as the beds in the healing room filled and emptied and filled, that these battles didn't leave much to be in charge of. The kingdom was already broken, and this war was tearing the broken pieces smaller."
"This is the reality of nuclear weapons: they may trigger a world war; a war which, unlike previous ones, destroys all of civilization."
"There isn't a viler creature on earth than a politician who sends the children of others to the war but not his own children!"
"Generals think war should be waged like the tourneys of the Middle Ages. I have no use for knights; I need revolutionaries."
War,
Explore more quotes by George Martin
"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."
"We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens."
"I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along."
"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."
"And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe."
"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."
"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."
"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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