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"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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"In war, when a commander becomes so bereft of reason and perspective that he fails to understand the dependence of arms on Divine guidance, he no longer deserves victory."
"In war there is no prize for runner-up."
"Look now -- in all of history men have been taught that killing of men is an evil thing not to be countenanced. Any man who kills must be destroyed because this is a great sin, maybe the worst we know. And then we take a soldier and put murder in his hands and we say to him, "use it well, use it wisely." We put no checks on him. Go out and kill as many of a certain kind or classification of your brothers as you can. And we will reward you for it because it is a violation of your early training."
"That's the attractive thing about war, said Rosewater. "Absolutely everybody gets a little something."
"Take the diplomacy out of war and the thing would fall flat in a week."
Explore more quotes by George Martin
"We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens."
"I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along."
"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."
"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."
"And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe."
"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."
"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."
"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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