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"Language should find itself in the physical world, and not end up locked in an idea in somebody's head."
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"No writer can be the 'Master of the Words' without loving them! Loving is the way for Mastering! No Love, no Master!"

"You've got to make an effort to get the details right, because even through someone picks it up and knows it's a novel, they know someone's made it up and they know it's not real, if you make a small mistake they will cease to imaginatively engage with the story."

"I decided to coin the term 'cosy crime noir' for Brighton Belle. That is 'cosy crime' for today's sensibilities because there is that slightly edgy element to it."

"What makes people tick? Life can be a trap of ennui, but imagery may be a redemptive escape from dullness. The iconic power and exuberance of images generate an inexorable addiction that needs to be gratified without respite. Here and now! ['Give me more images']"

"Authors always carry a means for scribbling and an excuse for pausing, often inopportunely, to record those fleeting sparks of creative fancy that might otherwise vanish like a wisp in the wind if ignored. Writing is a jealous and needy lover."

"Some people have a handful of ideas, but not enough time to realize them."

"I spent an hour looking at pots and carpets in the museums the other day, until the desire to describe them became like the desire for the lusts of the flesh."

"Do you know I get such a passion for reading sometimes its like the other passion -writing- only the wrong side of the carpet."

"Like" and "like" and "like"-but what is the thing that lies beneath the semblance of the thing?"

"As for my next book, I won't write it till it has grown heavy in my mind like a ripe pear; pendant, gravid, asking to be cut or it will fall."
Explore more quotes by Robert Smithson


"Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future."


"Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits."


"I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation."


"Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landscapes for finished art ."


"History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy."
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