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Rebecca Solnit

"I have been both a ghost and haunted in the city I love."

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"I have been both a ghost and haunted in the city I love."

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Amber Hurdle

"That one smooth black eye stared, and reflected in it I fancied I could see the cyclopeon city, and the endless column of the marching dead."

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Amber Hurdle

"To understand the mysteries of God we must move past the logic of men."

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Amber Hurdle

"Don't ask about my past. And never expect a future."

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Amber Hurdle

"Something very strange is going on in the depths of space."

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Amber Hurdle

"I brought the newspaper close up to my eyes to get a better view of George Pollucci's face, spotlighted like a three-quarter moon against a vague background of brick and black sky. I felt he had something important to tell me, and that whatever it was might just be written on his face.But the smudgy crags of George Pollucci's features melted away as I peered at them, and resolved themselves into a regular pattern of dark and light and medium gray dots.The inky black newspaper paragraph didn't tell why Mr Pollucci was on the ledge, or what Sgt Kilmartin did to him when he finally got him in through the window."

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Amber Hurdle

"Her sleep was enlivened by several dreams. One where Professor Wanstead's bushy eyebrows fell off because they were not his own eyebrows, but false ones. As she woke again, her first impression was that which often follows dreams, a belief that the dream in question had solved everything. 'Of course,' she thought, 'of course!' His eyebrows were false and that solved the whole thing. He was the criminal."

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Amber Hurdle

"That was the crossover line for us, to be able to play that many shows, sell them out real quick and have that tribe queue up outside and still be a mystery to everybody else."

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Amber Hurdle

"To respect a mystery is to make way for the answer."

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Amber Hurdle

"I should have known when I first saw that picture. For it is a very remarkable picture. It is the picture of a murderess painted by her victim-it is the picture of a girl watching her lover dies."

Explore more quotes by Rebecca Solnit

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Rebecca Solnit
"Mostly we tell the story of our lives, or mostly we're taught to tell it, as a quest to avoid suffering, though if your goal is a search for meaning, honor, experience, the same events may be victories or necessary steps. Then the personal matters; it's home; but you can travel in and out of it, rather than being marooned there. The leprosy specialist Paul Brand wrote, "Pain, along with its cousin touch, is distributed universally on the body, providing a sort of boundary of self," but empathy, solidarity, allegiance--the nerves that run out into the world--expand the self beyond its physical bounds."
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Rebecca Solnit
"The naively cynical measure a piece of legislation, a victory, a milestone not against the past or the limits of the possible, but against their ideas of perfection..."
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Rebecca Solnit
"A person in her twenties has been a child for most of her life, but as time goes by that portion that is childhood becomes smaller and smaller, more and more distant, more and more faded, though they say at the end of life the beginning returns with renewed vividness, as though you had sailed all the way around the world and were going back into the darkness from which you came."
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Rebecca Solnit
"We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the distance between us and the object of desire that fills in the space in between with the blue of longing. I wonder sometimes whether with a slight adjustment of perspective it could be cherished as a sensation in its own terms, since it is as inherent to the human condition as blue is to distance?"
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Rebecca Solnit
"In the wildlife sanctuaries of literature, we study the species of speech, the flight patterns of individual words, the herd behavior of words together, and we learn what language does and why it matters. this is excellent training for going out into the world and looking at all the unhallowed speech of political statements and news headlines and CDC instructions and seeing how it makes the word or in this case, makes a mess of it. It is the truest, highest purpose of language to make things clear and help us see; when words are used to do the opposite you know you're in trouble and maybe that there's a cover-up."
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Rebecca Solnit
"What is the message that wild animals bring, the message that seems to say everything and nothing? What is this message that is wordless, that is nothing more or less than the animals themselves- that the world is wild, that life is unpredictable in its goodness and its danger, that the world is larger than your imagination."
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Rebecca Solnit
"Women often find great roles in revolution, simply because the rules fall apart and everyone has agency, anyone can act. As they did in Egypt, where liberty leading the masses was an earnest young woman in a black hijab."
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Rebecca Solnit
"Libraries are sanctuaries from the world and command centers onto it: here in the quiet rooms are the lives of Crazy Horse and Aung San Suu Kyi, the Hundred Years' War and the Opium Wars and the Dirty War, the ideas of Simone Weil and Lao-Tzu, information on building your sailboat or dissolving your marriage, fictional worlds and books to equip the reader to reenter the real world. They are, ideally, places where nothing happens and where everything that has happened is stored up to be remembered and relived, the place where the world is folded up into boxes of paper. Every book is a door that opens onto another world, which might be the magic that all those children's books were alluding to, and a library is a Milky Way of worlds."
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Rebecca Solnit
"No matter how deeply you come to know a place, you can keep coming back to know it more."
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Rebecca Solnit
"Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go."
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