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John Badham

"In this movie they took them up in space. They're floating around and doing zero gravity stuff. Well, they had to do it all on wires. All the wires had to be painted black against this black background. If you didn't light it properly you could see the wires. Drove them crazy!"

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"In this movie they took them up in space. They're floating around and doing zero gravity stuff. Well, they had to do it all on wires. All the wires had to be painted black against this black background. If you didn't light it properly you could see the wires. Drove them crazy!"

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John Badham
"Sometimes it's literally just a feeling that you get that somebody is more interested than someone else; and they may both say they're interested, but you get a feeling."
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John Badham
"One thing I was thinking about the other day was you can't even conceive of the kinds of things you can do in movies today. The idea that you could draw, in a computer, dinosaurs and have them running around was totally impossible."
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John Badham
"The personality problem is so tough when you're not able to pay people. It's bad enough when you can pay people, but, when you have people working for free, often their motivation is diminished considerably."
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John Badham
"Phillip Harrison was the production designer, though, I think he's uncredited. He's done most of my films like Blue Thunder. Lots and lots over the years."
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John Badham
"In this movie they took them up in space. They're floating around and doing zero gravity stuff. Well, they had to do it all on wires. All the wires had to be painted black against this black background. If you didn't light it properly you could see the wires. Drove them crazy!"
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John Badham
"I would do it today because the thing that appealed to me was not necessarily the mechanics of the robot, but it was his personality and how funny and charming he was."
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John Badham
"There were scenes that just for length purposes, and knowing that the attention span of kids is not great, don't make it much longer than about 90 minutes."
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John Badham
"When the movie was done, Number Five was crated up. Eric took him over to Germany; displayed him over there because Germans really liked this movie. It was very popular with them."
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John Badham
"Monofilament is what you use to go fishing. The line on your fishing rod is probably going to be black. You get to the end of the line and you tie on this clear plastic, thin thread called monofilament."
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John Badham
"In our story logic which we're making up, if we're saying he's alive, then like a quadriplegic who's in bed he can move his head and shoulders, but he can't move his arms. If he could just turn on that power to his legs and arms, the nerves could get through and he could walk."

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Aberjhani

"My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture."

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Aberjhani

"Before I started doing the film and when I found out I was going to be doing it, I just decided to pump up on the whole cardio stuff. Just in terms of stamina."

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Aberjhani

"It's never a script that makes me decide to accept a film or not."

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Aberjhani

"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."

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Aberjhani

"No place is boring, if you've had a good night's sleep and have a pocket full of unexposed film."

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"My principal job is to make interesting and entertaining films, and I'm not proud of which format or which particular technique I use. I just wanted the film to look good."

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Aberjhani

"I can't do a film after having debated it. I am unable to do a film while discussing it with my team. I issue directives. I do not achieve it otherwise."

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Aberjhani

"I had lived in Fukuoka during the mid 1990s, and I was a volunteer with the Fukuoka Asian Film Festival."

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Aberjhani

"I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film."

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Aberjhani

"I knew exactly how I wanted it to play, but you are never sure until you watch the projected images reflect off the screen. That's when you know it worked."

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