
"In this course I have tried to reveal the mechanism of those wonderful toys - literary masterpieces. I have tried to make of you good readers who read books not for the infantile purpose of identifying oneself with the characters, and not for the adolescent purpose of learning to live, and not for the academic purpose of indulging in generalizations. I have tried to teach you to read books for the sake of their form, their visions, their art. I have tried to teach you to feel a shiver of artistic satisfaction, to share not the emotions of the people in the book but the emotions of its author - the joys and difficulties of creation. We did not talk around books, about books; we went to the center of this or that masterpiece, to the live heart of the matter."
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"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."

"Stories are like children. They grow in their own way."

"In great literature, I become a thousand different men but still remain myself."

"It is my opinion that a story worth reading only in childhood is not worth reading even then."

"It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel."

"The literary man re-reads, other men simply read."

"And she never could remember and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book."

"One of the most dangerous of literary ventures is the little, shy, unimportant heroine whom none of the other characters value. The danger is that your readers may agree with the other characters."

"Like someone excitedly relating a story, only to find the words petering out, the path gets narrower the further I go, the undergrowth taking over."

"I didn't read so much Japanese literature. Because my father was a teacher of Japanese literature, I just wanted to do something else."
Explore more quotes by Vladimir Nabokov


"Doom is nigh. I am in acute distress, desperately trying to coax sleep, opening my eyes every few seconds to check their faded gleam, and imagining paradise as a place where a sleepless neighbor reads an endless book by the light of an eternal candle."


"IphWas a larvorium and a violet:A grave in Reason's early spring. And yetIt missed the gist of the whole thing; it missedWhat mostly interests the preterist;For we die every day; oblivion thrivesNot on dry thighbones but on blood-ripe lives,And our best yesterdays are now foul pilesOf crumpled names, phone numbers and foxed files.I'm ready to become a floweretOr a fat fly, but never, to forget."


"The idea of God was invented in the small hours of history by a scam who had genius; it somehow reeks too much of humanity, that idea, to make its azure origin plausible..."


"Literature, real literature, must not be gulped down like some potion which may be good for the heart or good for the brain - the brain, that stomach of the soul. Literature must be taken and broken to bits, pulled apart, squashed - then its lovely reek will be smelt in the hollow of the palm, it will be munched and rolled upon the tongue with relish; then, and only then, its rare flavor will be appreciated at its true worth and the broken and crushed parts will again come together in your mind and disclose the beauty of a unity to which you have contributed something of your own blood."


"And what agony, thought Krug the thinker, to love so madly a little creature, formed in some mysterious fashion (even more mysterious to us than it had been to the very first thinkers in their pale olive gloves) by the fusion of two mysteries, or rather two sets of a trillion of mysteries each; formed by a fusion which is, at the same time, a matter of choice and a matter of chance and a matter of pure enchantment; thus formed and then permitted to accumulate trillions of its own mysteries; the whole suffused with consciousness, which is the only real thing in the world and the greatest mystery of all."


"I was also supposed to quiz my various companions on a number of important matters such as nostalgia, fear of unknown animals, food fantasies, nocturnal emissions, hobbies, choice of radio program, changes in out look and so forth."

