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Hilary Mantel

"He looked the Prince up and down, like a hangman taking his measurements. 'Of course there will be a revolution,' he said. 'You are making a nation of Cromwells. But we can go beyond Cromwell, I hope. In fifteen years you tyrants and parasites will be gone. We shall have set up a republic, on the purest Roman model."

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"He looked the Prince up and down, like a hangman taking his measurements. 'Of course there will be a revolution,' he said. 'You are making a nation of Cromwells. But we can go beyond Cromwell, I hope. In fifteen years you tyrants and parasites will be gone. We shall have set up a republic, on the purest Roman model."

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"Extreme positions are not succeeded by moderate ones, but by contrary extreme positions."

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"A reactionary is a somnambulist walking backwards."

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"I seldom think of politics more than eighteen hours a day."

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"Speech is an arrangement of notes that will never be played again."

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"There is this common notion that young conservatives are the few, that most people had liberal worldviews when they were young. If this is true, then it is with great irony that a number of old liberals must never had progressed into conservatives as they grew older."

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"Democracy, freedom and liberty do not make us more than what we are; it is our commitment that matters."

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"I do not look upon these United States as a finished product. We are still in the making."

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"Politics, as the word is commonly understood, are nothing but corruptions."

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"The cost of freedom is always high, but Americans have always paid it. And one path we shall never choose, and that is the path of surrender, or submission."

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Hilary Mantel
"Those sectaries in Europe who are always expecting the end of the world, but who hope that, after the earth has been consumed by fire, they will be seated in glory: grilled a little, crisp at the edges and blackened in parts, but still, thanks be to God, alive for eternity, and seated at his right hand."
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Hilary Mantel
"I aim to make the fiction flexible so that it bends itself around the facts as we have them. Otherwise I don't see the point. Nobody seems to understand that. Nobody seems to share my approach to historical fiction. I suppose if I have a maxim, it is that there isn't any necessary conflict between good history and good drama."
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Hilary Mantel
"Law of Suspects. Suspects are those: who have in any way aided tyranny (royal tyranny, Brissotin tyranny...); who cannot show that they have performed their civic duties; who do not starve, and yet have no visible means of support; who have been refused certificates of citizenship by their Sections; who have been removed from public office by the Convention or its representatives; who belong to an aristocratic family, and have not given proof of constant and extraordinary revolutionary fervor; or who have emigrated."
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Hilary Mantel
"One summer at the fag end of the nineties, I had to go out of London to talk to a literary society, of the sort that must have been old-fashioned when the previous century closed. When the day came, I wondered why I'd agreed to it; but yes is easier than no, and of course when you make a promise you think the time will never arrive: that there will be a nuclear holocaust, or something else diverting."
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Hilary Mantel
"It is not easy to talk about a condition once dismissed as 'the career women's disease'. But women will continue to suffer until we realise the cost of ignoring it."
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Hilary Mantel
"Give me a book, she said. "A book of sermons, anything."What do you want a book for?"I want words. I've got to have more words. I was kept stupid on purpose."
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Hilary Mantel
"This visit has compacted the court's quarrels and intrigues, trapped them in the small space within the town's walls. The travelers have become as intimate with each other as cards in a pack: contiguous, but their paper eyes blind."
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Hilary Mantel
"Have you ever observed that when a man gets a son he takes all the credit, and when he gets a daughter he blames his wife? And if they do not breed at all, we say it is because her womb is barren. We do not say it is because his seed is bad."
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Hilary Mantel
"Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time."
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Hilary Mantel
"As Danton sees it, the most bizarre aspect of Camille's character is his desire to scribble over every blank surface; he sees a guileless piece of paper, virgin and harmless, and persecutes it till it is black with words, and then besmirches its sister, and so on, through the quire."
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