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"It's not about outward appearances but inward significance. A grandeur in the world, but not of the world, a grandeur that the world doesn't understand. That first glimpse of pure otherness, in whose presence you bloom out and out and out.A self one does not want. A heart one cannot help."
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"We have a strange illusion that mere time cancels sin. I have heard others, and I have heard myself, recounting cruelties and falsehoods committed in boyhood as if they were no concern of the present speaker's, and even with laughter. But mere time does nothing either to the fact or to the guilt of a sin. The guilt is washed out not by time but by repentance and the blood of Christ: if we have repented these early sins we should remember the price of our forgiveness and be humble."

"The life of the cenobite is a human problem. When we speak of convents, those seats of error but innocence, of mistaken views but good intentions, of ignorance but devotion, of torment but martyrdom, we must nearly always say yes or no...The monastery is a renunciation. Self-sacrifice, even when misdirected, is still self-sacrifice. To assume as duty a strict error has its peculiar grandeur."

"You don't look out there for God, something in the sky, you look in you."

"Your treasure - your perfection - is within you already. But to claim it, you must leave the busy commotion of the mind and abandon the desires of the ego and enter into the silence of the heart. The kundalini shakti - the supreme energy of the divine - will take you there."

"A priest once quoted to me the Roman saying that a religion is dead when the priests laugh at each other across the altar. I always laugh at the altar, be it Christian, Hindu, or Buddhist, because real religion is the transformation of anxiety into laughter."

"Everyday, God shows us what love and compassion is about, through everything He created. We must learn to see beyond our differences and look deeper into our hearts. Everything in life will shape you, if you allow yourself embrace the truth...no matter how much it hurts. The truth is associated with love and love is all we need."

"We can ignore even pleasure. But pain insists upon being attended to. God whispers to us in our pleasures, speaks in our conscience, but shouts in our pains: it is his megaphone to rouse a deaf world."

"Of course, I quiet agree that the Christian religion is, in the long run, a thing of unspeakable discomfort. But it does not begin in comfort; it begins in the dismay and it is no use at all trying to go on to that comfort without first going through that dismay. In religion, as in war and everything else, comfort is one thing you cannot get looking for it. If you look for the truth, you may find comfort in the end: if you look for comfort you will not get either comfort or truth-only soft soap and wishful thinking to begin with and the in the end, despair."
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"Taking on challenging projects is the way that one grows and extends one's range as a writer, one's technical command, so I consider the time well-spent."


"But sometimes, unexpectedly, grief pounded over me in waves that left me gasping; and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead."


"You'd be surprised, Theo." she said, leaning back in her shawl-shaped chair, "what small, everyday things can lift us out of despair. But nobody can do it for you. You're the one who has to watch for the open door."


"Is it better to throw yourself head first and laughing into the holy rage calling your name?"


"They were playing old Bob Dylan, more than perfect for narrow Village streets close to Christmas and the snow whirling down in big feathery flakes, the kind of winter where you want to be walking down a city street with your arm around a girl like on the old record cover."


"So I'm not a Southern writer in the commonly held sense of the term, like Faulkner or Eudora Welty, who took the South for their entire literary environment and subject matter."


"Grown children (an oxymoron, I realize) veer instinctively to extremes: the young scholar is much more a pedant than his older counterpart. And I, being young myself, took these pronouncements of Henry's very seriously. I doubt if Milton himself could have impressed me more."


"Over and over I played her favorite Arvo Pärt, as a way of being with her; and she had only to mention recently read novel for me to grab it up hungrily, to be inside her thoughts, a sort of telepathy."
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