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"On the other hand in London you can get an audience that desires dance to go as far as it can go: they've seen the bricks of ideas built over a period so therefore there is an acceptance of what otherwise might seem out on a limb."
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"Dance, as if nobody is watching. Love, as if you have never been hurt before."

"Once I started dancing, I was not the spoiled brat or the rebellious child that I was as a child."

"If I talk about Charles Dance I am talking about something else, something I operate and wind up and have to make an impression with and use to transmit someone else's screenplay."

"One of the few things in dance to match the Royal Ballet's curtain calls is the Royal Ballet's dancing."
Explore more quotes by Siobhan Davies

"One of our problems is our sense of discipline - dancers have an extraordinary sense of self-discipline."

"We're talking about people who've already got 3-4, if not 5-6 years' experience or more, and it's about trying to help professionals develop, using us as a resource for that development."

"Then I came in twice a week - for my own enjoyment as well as to be a guide. And then we started to apply some of the splinters of the ideas back into the piece."

"Independent dance - and, fine, it's a very good thing that it remains independent - is a much tougher life: all dancers expect that, and accept that there will be periods of not being able to work, provided there are choice moments during the year when they really can work."

"We could ask artists from abroad to come in too, so that there could be a mixing and matching of skills from Europe, America and here which would widen our world."

"If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me."

"Well, it's not full time - my dancers are only paid for six months of the year in two three-month blocks; but yes, it is possible we could do it in another year."

"Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water."

"Yes - it's the same in any other work - the more you massage your thinking the more capable I believe you are of expanding how you go about things and learning."
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