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Satyajit Ray

"I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation."

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"I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation."

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Akiroq Brost

"In my opinion we are at the limit now, and 17 races is really too much. With all the testing that we do now, it means we're always on the bike and it's quite difficult."

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Akiroq Brost

"Now we have to hit them from a different angle."

Now,
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Akiroq Brost

"I play the way I do because it allows me to come up with the sickest sounds possible. That's the point now isn't it?"

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Akiroq Brost

"I have a role now that I think becomes me. I am a grandmother."

Now,
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Akiroq Brost

"Now the identification of individual sounds by phonetic observation is an artificial way of proceeding."

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Akiroq Brost

"I don't lose my temper very often now, and if I do, it's well deserved."

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Akiroq Brost

"We have our own reasons for what's motivating us right now."

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Akiroq Brost

"I'm now the hitting the instructor with the Cleveland Indians."

Now,
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Akiroq Brost

"Now we sit through Shakespeare in order to recognize the quotations."

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Akiroq Brost

"If matters go badly now, they will not always be so."

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Satyajit Ray
"The conception of background music is changing. You use less and less of it these days."
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Satyajit Ray
"The only solutions that are ever worth anything are the solutions that people find themselves."
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Satyajit Ray
"When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical."
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Satyajit Ray
"What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure."
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Satyajit Ray
"It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn't want to do the same kind of film again, so I made a musical."
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Satyajit Ray
"My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful."
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Satyajit Ray
"I was interested in both Western and Indian classical music."
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Satyajit Ray
"At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music."
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Satyajit Ray
"When I write an original story I write about people I know first-hand and situations I'm familiar with. I don't write stories about the nineteenth century."
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Satyajit Ray
"I wouldn't mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they're not on a fixed salary."
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