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"What work do I have to do then?' said Will, but went on at once, 'No, on second thought, don't tell me. I shall decide what I do. If you say my work is fighting, or healing, or exploring, or whatever you might say, I'll always be thinking about it. And if I do end up doing that, I'll be resentful because it'll feel as if I didn't have a choice, and if I don't do it, I'll feel guilty because I should. Whatever I do, I will choose it, no one else."
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"The best decisions are often those made from the creative part of your mind and not the emotional part of your heart."
"Who you are is why you choose the friends and situations in your life."
"Why are you choosing to be unhappy, when you're created for happiness?"
"The road ahead is not some predetermined path that I am forced to trod, but it is a rich byway that I can help create."
"In every walk of life, you do have the freedom to choose, but that freedom is based on the perception of the world and yourself which you have gained until that moment of life."
"Either to die the death or to abjureFor ever the society of men.Therefore, fair Hermia, question your desires;Know of your youth, examine well your blood,Whether, if you yield not to your father's choice,You can endure the livery of a nun,For aye to be in shady cloister mew'd,To live a barren sister all your life,Chanting faint hymns to the cold fruitless moon.Thrice-blessed they that master so their blood,To undergo such maiden pilgrimage;But earthlier happy is the rose distill'd,Than that which withering on the virgin thornGrows, lives and dies in single blessedness."
"Some will, some won't. Look for the ones who will."
Explore more quotes by Philip Pullman
"Fritz had to stop himself from interrupting when Karl spoke about the difficulty of working. Stories are just as hard as clocks to put together, and they can go wrong just as easily--as we shall soon see with Fritz's own story in a page or two. Still, Fritz was an optimist, and Karl was a pessimist, and that makes all the difference in the world."
"I had passed through the entire British education system studying literature, culminating in three years of reading English at Oxford, and they'd never told me about something as basic as the importance of point of view in fiction!"
"As for what it's against - the story is against those who pervert and misuse religion, or any other kind of doctrine with a holy book and a priesthood and an apparatus of power that wields unchallengeable authority, in order to dominate and suppress human freedoms."
"I feel with some passion that what we truly are is private, and almost infinitely complex, and ambiguous, and both external and internal, and double- or triple- or multiply natured, and largely mysterious even to ourselves; and furthermore that what we are is only part of us, because identity, unlike 'identity', must include what we do. And I think that to find oneself and every aspect of this complexity reduced in the public mind to one property that apparently subsumes all the rest ('gay', 'black', 'Muslim', whatever) is to be the victim of a piece of extraordinary intellectual vulgarity."
"The act of true reading is in its very essence democratic. Consider the nature of what happens when we read a book - and I mean, of course, a work of literature, not an instruction manual or a textbook - in private, unsupervised, un-spied-on, alone. It isn't like a lecture: it's like a conversation. There's a back-and-forthness about it. The book proposes, the reader questions, the book responds, the reader considers. We bring our own preconceptions and expectations, our own intellectual qualities, and our limitations, too, our own previous experiences of reading, our own temperament, our own hopes and fears, our own personality to the encounter."
"Princess, princess, youngest daughter,Open up and let me in!Or else your promise by the waterIsn't worth a rusty pin.Keep your promise, royal daughter,Open up and let me in!"
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