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Lee Konitz

"I could stop and say, Well that was a D minor, G seven, but I really don't want to know that. I just want to know that there's a combination of notes that makes a sound."

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"I could stop and say, Well that was a D minor, G seven, but I really don't want to know that. I just want to know that there's a combination of notes that makes a sound."

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A.E. Samaan

"The sound has grown and sweetened over the years as well, and you can hear it on many of my recordings and, most likely, will see and hear me playing it if you come to a live show."

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A.E. Samaan

"It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings."

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A.E. Samaan

"My dark sound could be heard across a room clearer than somebody with a reedy sound. It had more projection. My sound always seemed to fill a room."

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A.E. Samaan

"Get someone else to blow your horn and the sound will carry twice as far."

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A.E. Samaan

"I wanted something very dense, something that would sustain long and more pieces of wood that would be soft, sweet, for more of a mellow sound."

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A.E. Samaan

"That's the thing I like about my sound. It's real raw and very unsafe compared to a solid state kind of sound."

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A.E. Samaan

"The reporter claimed he was going to write the article from my point of view. Instead, he made me sound like a little idiot. It made me never want to do another interview again."

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A.E. Samaan

"In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm."

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A.E. Samaan

"I don't try to sound like anyone but me anymore. If something is out of my element, I try to avoid it."

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A.E. Samaan

"My uncle gave me a trumpet, but I loved the Louis Armstrong sound and the Harry James sound and I played by ear and I played always soulful or very direct from the gut."

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Lee Konitz
"It was 100 percent music. There was no ego involved, no attitudes, no black and white, it was pure music."
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Lee Konitz
"After playing now for 60 years, it's still very challenging for me to play a simple melody and have it clean and touch the reed at the proper time in the proper way."
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Lee Konitz
"I listen to classical music very much. There's a lot of jazz that I don't enjoy listening to."
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Lee Konitz
"Most jazz players work out their solos, at least to the extent that they have a very specific vocabulary."
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Lee Konitz
"I just completed a tour in Europe. I played every night. This requires traveling some days for six hours in a van or a train or a car. After six weeks of that, I checked into the hotel and just fell apart."
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Lee Konitz
"I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double."
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Lee Konitz
"Many people do think it's naive to improvise in front of paying customers. I'm not saying one way is better than another."
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Lee Konitz
"Out of Coltrane's whole history, there are things which I think are great from all the periods."
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Lee Konitz
"A first love always occupies a special place."
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Lee Konitz
"I'd like to feel that whatever I play is a result of whatever I've heard."
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