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"Nor does the idea of a moral order asserting itself against attack or want of conformity answer in full to our feelings regarding the tragic character."
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"We give you this story. It is for the audience to be moved and gut wrenched, not us. It isn't as if we don't go through those real feeling and it isn't as if I don't cry three or four times a night. I usually do."
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Personal Development

"If you go to Japan for instance, you should know that they have a different way of playing Beethoven or Brahms. But if you play with them Mozart, Debussy, Mendelssohn, they have a wonderful light feeling for that."
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Personal Development

"I have always had strong maternal instincts. Even when I was still a child I cut out pictures of prams from newspapers and imagined the feeling of pushing my own pram through fresh winter snow and seeing the wheels' tracks behind me in the snow."
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Personal Development

"I'll keep working as long as I live because singing has taken on the feeling of joy that I had when I started, when my only responsibility was to sing well."
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"You can't plan for feelings. You have to accept that. Let it scare you. Trust that it'll be okay anyway."
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Personal Development

"I don't think you learn how to act. You learn how to use your emotions and feelings."
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Personal Development

"There's no better feeling in the world than a warm pizza box on your lap."
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"Relations between black and white would be greatly improved if we were more accepting of our fears and our feelings and more vocal about it."
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"Being a salesman and an actor were not that dissimilar: It is a good lesson in covering up your feelings. No one wants to buy from someone who looks depressed."
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"Strength of character means the ability to overcome resentment against others, to hide hurt feelings, and to forgive quickly."
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Explore more quotes by Andrew Coyle Bradley

"King Lear alone among these plays has a distinct double action. Besides this, it is impossible, I think, from the point of view of construction, to regard the hero as the leading figure."
Action

"In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy."
Idea

"When Shakespeare begins his exposition thus he generally at first makes people talk about the hero, but keeps the hero himself for some time out of sight, so that we await his entrance with curiosity, and sometimes with anxiety."
Time

"We might not object to the statement that Lear deserved to suffer for his folly, selfishness and tyranny; but to assert that he deserved to suffer what he did suffer is to do violence not merely to language but to any healthy moral sense."
Folly

"Nor does the idea of a moral order asserting itself against attack or want of conformity answer in full to our feelings regarding the tragic character."
Feelings

"Shakespeare also introduces the supernatural into some of his tragedies; he introduces ghosts, and witches who have supernatural knowledge."
Knowledge

"In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character."
Death

"We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works."
Shakespeare

"A Shakespearean tragedy as so far considered may be called a story of exceptional calamity leading to the death of a man in high estate. But it is clearly much more than this, and we have now to regard it from another side."
Death

"Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact."
People
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