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"The hardest thing about movie acting is that if you're playing a character who changes within the movie, you've got to do that, but you've got to do it out of sequence, because we never have gotten to shoot in sequence, and that's really, really tough."
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"Integrity is more than truth and honesty; integrity is an unshackled mind, a happy heart, and a light spirit. Integrity is inner peace with a clear, clean conscience. Integrity is self-respect, honor, and credibility. Integrity is healthy and unfettering, and it is worth defending."
"Because I'm selfish. I'm a coward. I'm the kind of girl who, when she might actually be of use, would run to stay alive and leave those who couldn't follow to suffer and die."
"The main qualities that had earned him this universal respect in the service were, first, an extreme indulgence towards people, based on his awareness of his own shortcomings; second, a perfect liberalism, not the sort he read about in the newspapers, but the sort he had in his blood, which made him treat all people, whatever their rank or status, in a perfectly equal and identical way; and, third - most important - a perfect indifference to the business he was occupied with, owing to which he never got carried away and never made mistakes."
"The psychoanalysis of neurotics has taught us to recognize the intimate connection between wetting the bed and the character trait of ambition."
"The Christian should stand out like a sparkling diamond against a rough background. He should be more wholesome than anyone else. He should be poised, cultured, courteous, gracious, but firm in the things that he does and does not do. He should laugh and be radiant, but he should refuse to allow the world to pull him down to its level."
"Who you are in public is a test of your conviction; who you are in private, integrity."
"Santi and Wolfe exchanged a look. Wolfe inclined his head a little to the side, with a strange, crooked smile. "You see? They're as bad as we are.""Worse," Santi sighed."
Explore more quotes by John Sayles
"There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific."
"If you write a movie for Roger Corman, it's going to get made. You saw it almost the next day."
"I figured, 'When is that ever going to happen again?'. So I basically set out the opposite way movies are made; I set out with a budget first. I said, 'What can I do well for $40,000?'."
"Those are fun, especially if they're going to shoot them in four weeks, because you know they're not going to mess with anything you do, so it can be very imaginative."
"Fahrenheit 9/11 took public domain information that should have been on the news every night and put it in a film that a lot of people went to see. But still Bush has never had to answer those charges."
"There was a widespread indignation in the American media. They were saying, 'How can you make a movie during an election that's about politics? What are you doing? Are you trying to influence people's lives?' To which my response was, 'Well, I hope so.'"
"And it was out in the theaters in two weeks. This is not, 'We're going to develop twenty-five and maybe one's going to get made,' so the first three things I wrote got up on the screen and, good, bad or indifferent, I got to see them on their feet."
"You get to say, 'Here's my philosophical idea about what the costume should like,' and the costume designer comes and gives you choices and sometimes they're all good, and I say, 'What do you think?' and they pick the right thing."
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