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"When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do."
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"There was a muffled pop, the sound of a small pumpkin exploding in a microwave oven.Morris cut the wheel to the left and there was another bump as the Biscayne went back into the parking area. He looked in the mirror and saw that Curtis's head was gone.Well, no. Not exactly. It was there, but all spread out. Mooshed. No loss of talent in that mess. Morrie thought."

"It was one of those things they keep in a jar in the tent of a sideshow on the outskirts of a little, drowsy town. One of those pale things drifting in alcohol plasma, forever dreaming and circling, with its peeled, dead eyes staring out at you and never seeing you. It went with the noiselessness of late night, and only the crickets chirping, the frogs sobbing off in the moist swampland. One of those things in a big jar that makes your stomach jump as it does when you see a preserved arm in a laboratory vat."

"He stood in rain and the storm, watching a demon with his face standing and laughing at him on a chariot run by drunk horses. The storm threw dust into his eyes, while the demon unleashed the horses one after the other at him."
Explore more quotes by Fay Wray

"She wanted us to feel we were above everyone in the town. She really did tell us that we were related to Chief Justice John Marshall, and that may have been true. I never did bother to find out."

"As far as advice, that will be in my next book, my next collection. I certainly never like to instruct anyone, but just say as I feel. That's the same as advice, isn't it?"

"Paul Lucas had a particularly amusing accent, so I chuckled. That was terrible; I shouldn't have done that, but he took it too big. He got up and said he couldn't work with people who laughed at him!"

"It was so satisfying for me - a great reward, just to see it done well. And it was beautifully directed by my daughter Susan Riskin. Imagine, a play about my mother directed by my daughter?!"

"Lillian Gish thought that there should be a cabinet position for the arts and I think she was right. I think she was right."

"He was just trying to tease me - I knew that later - but he said he'd have to leave because it wasn't fair to have anyone in the room who was going to make fun of what he had to say. He had a good sense of humor, really."

"There were shots of Kong pulling at my clothes, but only in horizontal and never from above. Never from above."

"I think the studio gave me that series on purpose, because they knew perfectly well that Robert Riskin was ill and that I needed to go to work. They gave me that series to do."

"I thought I saw him for what he was-or what I thought he was. And he was talented, no doubt about that. But, he thought his talent was based on misery and that if he became happy it would just go. He believed that."

"When the picture was finished, they took me into the sound room and then I screamed more for about five minutes just steady screaming, and then they'd cut that in and add it."
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