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"When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do."
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"All right. Here's the deal, bigshot: suck my cock. Do that and I'll let you go. Straight trade."He unzipped his fly and pulled down the elastic front of his shorts. Something that looked like a dead whitesnake fell out. Johnny observed the thin stream of blood driz-zling from it without surprise. The cop was bleeding from every other orifice, wasn't he?"Speaking in the literature sense," the cop said, grinning, "this particular blowjob is going to be a little more Anne Rice than Armistead Maupin. I suggest you follow Queen Victoria's advice - close your eyes and think of strawberry shortcake."

"There was a muffled pop, the sound of a small pumpkin exploding in a microwave oven.Morris cut the wheel to the left and there was another bump as the Biscayne went back into the parking area. He looked in the mirror and saw that Curtis's head was gone.Well, no. Not exactly. It was there, but all spread out. Mooshed. No loss of talent in that mess. Morrie thought."

"I discovered news of old horrors in old books; read intelligence of old atrocities in old periodicals; always in the back of my mind, every day a bit louder, I heard the seashell drone of some growing, coalescing force; I seemed to smell the bitter ozone aroma of lightings-to-come."

"The teeth!-the teeth!-they were here, and there, and everywhere, and visibly and palpably before me; long, narrow, and excessively white, with the pale lips writhing about them, as in the very moment of their first terrible development."

"There are a couple of things in there if we're constraining this discussion to horror here."

"He stood in rain and the storm, watching a demon with his face standing and laughing at him on a chariot run by drunk horses. The storm threw dust into his eyes, while the demon unleashed the horses one after the other at him."
Explore more quotes by Fay Wray

"For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done."

"I don't know why Sinclair Lewis fell in love with me. He didn't get even the slightest response from me. But his letters were lovely. And the poems he wrote me were lovely. I used some of them in my book."

"The producers who wanted me to do it liked me and trusted me, and more than one scene was only one take, because I'd plan ahead what I thought would be appropriate for that scene-so one take was enough."

"Lillian Gish thought that there should be a cabinet position for the arts and I think she was right. I think she was right."

"Well, the Empire State was about 40' high in the studio. King Kong was a little model about 2' high, and the scenery that he worked in was in proportion to his size."

"So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them."

"They were very considerate, I must say. Every time I felt I was about to slip out of these fingers and would yell for help, they'd let me down and re-organize things."

"She wanted us to feel we were above everyone in the town. She really did tell us that we were related to Chief Justice John Marshall, and that may have been true. I never did bother to find out."

"Crawford washed her hands a lot. She washed her arms all the way up past her elbows. She just couldn't get enough done in that direction. She was compulsive about being clean, clean, clean!"
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