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Tony Conrad, an American artist and musician, was a pioneering figure in the fields of experimental film and minimalist music. As a founding member of the influential group The Velvet Underground, Conrad helped shape the sound of underground rock music in the 1960s. Later in his career, he turned his attention to filmmaking, creating innovative works that pushed the boundaries of cinematic expression.
"People aren't used to thinking of cultural forms spreading out across the full range of formal interactions - or what is called the "text" in literary terms."
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"People aren't used to thinking of cultural forms spreading out across the full range of formal interactions - or what is called the "text" in literary terms."

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"That kind of piece, perhaps most recognizable because of Yoko Ono's similar work, built a bridge between performance art and music - and without raising any awkward social issues."
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"That kind of piece, perhaps most recognizable because of Yoko Ono's similar work, built a bridge between performance art and music - and without raising any awkward social issues."

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"As soon as Young read my statements and saw clearly what I was saying, he stopped communicating with me."
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"As soon as Young read my statements and saw clearly what I was saying, he stopped communicating with me."

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"But picketing - picketing for or against something, and handing out literature - these are conspicuously formal actions. They have to be understood as indirect communication."
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"But picketing - picketing for or against something, and handing out literature - these are conspicuously formal actions. They have to be understood as indirect communication."

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"I've talked with John Cale for two decades about what to do about La Monte, and how to get copies of our work."
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"I've talked with John Cale for two decades about what to do about La Monte, and how to get copies of our work."

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"The message here was not about indeterminacy, nor about immediacy, but about the control of sounds right there in your environment, and the process of composition as long-term growth of interests within that sound complex."
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"The message here was not about indeterminacy, nor about immediacy, but about the control of sounds right there in your environment, and the process of composition as long-term growth of interests within that sound complex."

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