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Marguerite Gardiner, an Irish writer, is remembered for her insightful contributions to literature and journalism. Known for her works that delve into the lives of prominent figures, she brought both literary and historical perspectives to her writing. Gardiner's ability to uncover the personal and political nuances of her subjects continues to inspire writers to approach storytelling with depth and integrity. Her impact on Irish literature encourages future generations to explore the intersection of history, identity, and narrative, emphasizing the importance of telling stories that not only entertain but also educate and illuminate.
"In France, a woman may forget that she is neither young nor handsome; for the absence of these claims to attention does not expose her to be neglected by the male sex."
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"In France, a woman may forget that she is neither young nor handsome; for the absence of these claims to attention does not expose her to be neglected by the male sex."

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"The Temple of Diana is in the vicinity of the fountain, which has given rise to the conjecture that it originally constituted a portion of the ancient baths."
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"The Temple of Diana is in the vicinity of the fountain, which has given rise to the conjecture that it originally constituted a portion of the ancient baths."

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"We never respect those who amuse us, however we may smile at their comic powers."
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"We never respect those who amuse us, however we may smile at their comic powers."

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"The chief prerequisite for a escort is to have a flexible conscience and an inflexible politeness."
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"The chief prerequisite for a escort is to have a flexible conscience and an inflexible politeness."

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"Happiness consists not in having much, but in being content with little."
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"Happiness consists not in having much, but in being content with little."

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"Tears may be dried up, but the heart - never."
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"Tears may be dried up, but the heart - never."

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"Arles is certainly one of the most interesting towns I have ever seen, whether viewed as a place remarkable for the objects of antiquity it contains, or for the primitive manners of its inhabitants and its picturesque appearance."
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"Arles is certainly one of the most interesting towns I have ever seen, whether viewed as a place remarkable for the objects of antiquity it contains, or for the primitive manners of its inhabitants and its picturesque appearance."

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"When we bring back with us the objects most dear, and find those we left unchanged, we are tempted to doubt the lapse of time; but one link in the chain of affection broken, and every thing seems altered."
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"When we bring back with us the objects most dear, and find those we left unchanged, we are tempted to doubt the lapse of time; but one link in the chain of affection broken, and every thing seems altered."

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"Here Fashion is a despot, and no one dreams of evading its dictates."
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"Here Fashion is a despot, and no one dreams of evading its dictates."

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"Talent, like beauty, to be pardoned, must be obscure and unostentatious."
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"Talent, like beauty, to be pardoned, must be obscure and unostentatious."

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"I see little alteration at Lyons since I formerly passed through it. Its manufactories are, nevertheless, flourishing, though less improvement than could be expected is visible in the external aspect of the place."
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"I see little alteration at Lyons since I formerly passed through it. Its manufactories are, nevertheless, flourishing, though less improvement than could be expected is visible in the external aspect of the place."

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"Yes, the meeting of dear friends atones for the regret of separation; and like it so much enhances affection, that after absence one wonders how one has been able to stay away from them so long."
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"Yes, the meeting of dear friends atones for the regret of separation; and like it so much enhances affection, that after absence one wonders how one has been able to stay away from them so long."

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"Who could look on these monuments without reflecting on the vanity of mortals in thus offering up testimonials of their respect for persons of whose very names posterity is ignorant?"
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"Who could look on these monuments without reflecting on the vanity of mortals in thus offering up testimonials of their respect for persons of whose very names posterity is ignorant?"

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