Janet Suzman is a South African-born British actress and director celebrated for her work in both classical and contemporary theater. She gained recognition for her performances with the Royal Shakespeare Company, particularly in roles such as Cleopatra in "Antony and Cleopatra," for which she received widespread acclaim. Suzman has also appeared in films and television, bringing depth and gravitas to her characters. Beyond her acting career, Suzman is known for her work as a director and for her advocacy on social and political issues, particularly concerning apartheid in South Africa.
"And I think that that emphasis on keeping a family together, alike, I think it's important."
"But I think the possibility of a black and white society feeding each other's expertises, living harmoniously, will probably go along in fits and starts now but at least it has a great constitution now to back it up."
"Jews have had to carry around their own sense of self in a carpet bag and I think perhaps too much emphasis might be being put on nationality and on the other hand patriotism, that sort of thing."
"I think it's a very central tenet to it yes, it is. I can't bear it, I can't bear inequality, I can't bear bad behaviour to other people. I cannot bear it that people are mean to people who can't help what they are."
"You learn from mistakes, but Shakespeare is one big non mistake isn't he? He just got everything right really."
"OK, well maybe I have to get back to Judaism. In the sense that if I look at me and my forebears forever stretching back to I don't know, whenever there's no sense of place and therefore no sense of nationality."
"It was but then, when you're, one of the great poisonous events that have infected us all who were in South Africa is that the idea of difference is drip fed into your veins. It's that that you fight."
"One tries to be an observer as an actor and indeed as a director because the small things, the give-away things are what are really interesting to a performer."
"My mother was very agnostic. She would never set foot in the synagogue, she couldn't be doing with it."
"So we do have our exits and our entrances and we are perhaps mere, but I think if one keep a certain joyousness in life which should be in playing, then good for one, but it's slightly more serious than that."