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"Cinema is a worldwide phenomenon."
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"Foreign capital to build new cinemas will help modernize China's aging cinema infrastructure, attract Chinese consumers back into cinemas, and increase demand for U.S. films."

"If cinema is a woman then certainly there are many shores."

"National film industries tend to move in cycles. In Australia right now, we're on a high, a feeling of potential, which as yet shows no sign of flagging. But the word "industry" is misleading. A small national cinema has no industry in the Hollywood sense."

"So, if falling crime rates coincide with the rise of violent video games and increasing violence on TV and at the cinema, should we conclude that media violence is causing the drop in crime rates?"
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"Entertainment today constantly emphasises the message that things are wonderful the way they are. But there is another kind of cinema, which says that change is possible and necessary and it's up to you."

"Many French directors, having now realised there was no more real criticism, that the standards of the past have gone, are very offended about the quality of film criticism."

"Of course the French are making very credible movies and it is still one of the greatest nations in terms of world cinema but the real problem is the decay in film criticism."

"So I am getting a little bored with defining one type of film as American and the other European or from somewhere else because the division is no longer true."

"Film is a very, very powerful medium. It can either confirm the idea that things are wonderful the way they are, or it can reinforce the conception that things can be changed."

"I'm getting a little bored by the juxtaposition of American and other cinema. I no longer think this division is as true as it might have been in the 1980s, or the early part of the 90s."

"The culture of independent film criticism has totally gone down the drain and this seems to come with the territory of the consumer age that we are now living in."

"For years all I seemed to be doing was lobbying politicians and others to persuade them that European culture needed movies, and that we had to protect it."

"Many of the critics today get airline tickets, hotel accommodation, bags, beautiful photographs, gifts and other expenses paid by the distributors, and then are supposed to write serious articles about the movie."

"In the late 1980s the amount of German films was down to four or five percent of the market, and the remaining 95 percent were American. It is now 20 to 30 percent German productions."
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