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Griffin Dunne

"If movies are set in New York, they really should be shot in New York."

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"If movies are set in New York, they really should be shot in New York."

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Akiroq Brost

"I've been campaigning like anything for restoring these changes. For 27 years. I wrote a book about it, well, a portion of the book was devoted to these scenes and why they should have been in the movie."

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Akiroq Brost

"George Raft may or may not have gone both ways, but he was very sensitive to what they said about him, and it was one factor why he decided to play all those gangsters in the movies."

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Akiroq Brost

"There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific."

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Akiroq Brost

"I was mostly interested in it as a theatrical film. Personally, I am not so interested in television, simply because I don't watch television myself. I'm into movies."

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Akiroq Brost

"Make movies. Don't make videos. Videos are evil."

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Akiroq Brost

"What we were in on, really, was the invention of animation."

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Akiroq Brost

"I never stopped studying Buddhism. In the past few years, in between movies, I do a retreat."

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Akiroq Brost

"I've always had this idea that I wanted movies to make people better not worse."

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Akiroq Brost

"The thing about all good horror movies is that the fans expect a couple of inside jokes. Maybe I'm supposed to be saying how terrified I was while making it, but it was really fun."

Explore more quotes by Griffin Dunne

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Griffin Dunne
"Although there was a screenplay, the actors never knew what questions I was going to ask them, and all of my character's voice-over narration and scenes were added after the fact."
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Griffin Dunne
"New York means so much to people. If you're inclined to leave the nest, New York is where most people think they have to go, and it's been that way since the first skyscraper."
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Griffin Dunne
"It struck me that working digitally with a small crew, I could lay out a general plan for Famous and hope for mistakes which would create something more than satire and something less than truthful reality."
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Griffin Dunne
"But I remember feeling as a producer I felt like the guy who called the caterer and got the band; I had to work the party while everybody else was having a good time."
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Griffin Dunne
"Every movie is wildly different. So many of the problems are the same, but they take on different guises."
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Griffin Dunne
"My hunger and desperation, being an actor, an out of work actor - my memory of that is as fresh as an open wound."
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Griffin Dunne
"And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture."
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Griffin Dunne
"I produced six movies with Amy Robinson since the very early '80s."
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Griffin Dunne
"But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes."
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Griffin Dunne
"In the '80s, I can't say that Amy and I were aware of an independent film community. We could only get a certain amount of money for our pictures, which made them low budget movies, but they were distributed through studios."
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