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Jacqueline McKenzie

"We blush very, very easily, and we get terrified of audiences."

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"We blush very, very easily, and we get terrified of audiences."

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Akiroq Brost

"I don't know, I think the crowds are even more responsive now because the audiences are skewing younger."

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"I want to do what I want when I want to do it not be dictated to by audiences."

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Akiroq Brost

"We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited."

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Akiroq Brost

"I'm thrilled at the moment because our audiences, you know, they... the demographic is 50% male."

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Akiroq Brost

"Sometimes during a ballet I'll look around and see all these rows of intent faces, concentrating on this beautiful thing up on the stage."

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Akiroq Brost

"Audiences in London called me the girl with the black cherry eyes."

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Akiroq Brost

"Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club."

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Akiroq Brost

"No producer should revive a play unless they have a very good reason for it. I think there's quite enough about a good play to make it available to new audiences."

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Akiroq Brost

"Audiences always sound like they're glad to see me, and I'm damned glad to see them."

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Akiroq Brost

"Over the years, I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected."

Explore more quotes by Jacqueline McKenzie

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Jacqueline McKenzie
"You don't choose. I just go where the work is."
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Jacqueline McKenzie
"That's a curious paradox that I don't think a lot of people out there know; that you get really scared before you go on. You come out in a nervous rash, and it's not like you actually love getting up there and showing off."
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Jacqueline McKenzie
"It was hysterical going to work. I would just walk in and think, 'What in hell? Am I here? What's going on? I'm going to wake up in a minute. I'm in a dream.'"
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Jacqueline McKenzie
"And the reason for that I think is that in Australia our films don't get the exposure, so the process is foremost. But anyway, I love being part of the team and hate being stuck in a corner somewhere."
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Jacqueline McKenzie
"I love being part of the team."
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Jacqueline McKenzie
"Everybody is just at the start of this huge process of trying to unravel what's going on with the 4,400, where they've been and why they're back and what they're trying to do with us in the present. And we're trying to work out what messages they're sending us."
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Jacqueline McKenzie
"I was spooked when I first got the role, as I was afraid I wouldn't have the companionship I need on a shoot, because I'm so into the process itself, not so much the end product."
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Jacqueline McKenzie
"It's just so fragile. The growing sense of 'Oh, God, what am I doing? Am I any good? Will I ever work again?' All those questions of self doubt, they do creep in."
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Jacqueline McKenzie
"I can't do theatre in the US,' she says, 'because I don't have a green card."
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Jacqueline McKenzie
"We blush very, very easily, and we get terrified of audiences."
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