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"The novel is a penetrating study of morals and ethics."
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"I don't know where people got the idea that characters in books are supposed to be likable. Books are not in the business of creating merely likeable characters with whom you can have some simple identification with. Books are in the business of creating great stories that make you're brain go ahhbdgbdmerhbergurhbudgerbudbaaarr."
"Writers may be classified as meteors, planets, and fixed stars. They belong not to one system, one nation only, but to the universe. And just because they are so very far away, it is usually many years before their light is visible to the inhabitants of this earth."
"Walter Scott has no business to write novels, especially good ones. - It is not fair. - He has fame and profit enough as a poet, and should not be taking the bread out of other people's mouths. - I do not like him, and do not mean to like Waverley if I can help it - but fear I must."
"This is not writing at all. Indeed, I could say that Shakespeare surpasses literature altogether, if I knew what I meant."
"I've read everything Thomas Wolfe ever wrote; my brother and I memorized whole chapters of 'You Can't Go Home Again' and 'Look Homeward, Angel.'"
"In our Impulsive nature to write and repulsive nature to read that has led to a decline in literary genius in our times!"
"You could fire a machine gun randomly through the pages of Lord of the Rings and never hit any women."
"I think that [William] Faulkner and I each had to escape certain particulars of our lives, and we found salvation through words. I understand the Bible story of Babel so much better now. I think that moments of extremity, desires of escape, lead us to foreign languages--not those learned in schools, but those plucked from the human heart, the searing conditions of isolation. I did not have to be limited to my biography because of words, and I shared this with Faulkner, who invented new words and punctuation and expression and worlds. He utterly reshaped the world."
"Individuals often turn to poetry, not only to glean strength and perspective from the words of others, but to give birth to their own poetic voices and to hold history accountable for the catastrophes rearranging their lives."
"Fictional people are people, too, otherwise why would we care what happens to them?"
Explore more quotes by Bille August
"It was a major dream come true at last. In many respects, Jerusalem is a very modern and important story about people in a period of transition, with all the unrest that permeates society on the eve of a new century. The big life issues are at stake."
"She is also brought to a point of zero in the beginning of the story, and I think you can say that about a lot of my films in that they are often about people who are brought to the point of zero in the beginning of the film."
"I was mostly interested in it as a theatrical film. Personally, I am not so interested in television, simply because I don't watch television myself. I'm into movies."
"I wanted to make Jerusalem as feature film. But we couldn't finance it only through theatrical release, we couldn't get all the money we needed. We had to get some money from television. So we said, ok, let's do it both ways. So we did it in four parts."
"He considers the theatrical version of Fanny and Alexander an amputated version of what his original film was, and he doesn't really like the shorter film."
"The big difference is the size of the crew and the flexibility of shooting because of the size. I mean, it's crazy. So you can't improvise, you cannot suddenly do something that comes to mind, whereas in a small production you have much more flexibility."
"We talked a lot about The Best Intentions and how we could shoot certain scenes in different ways with slightly different bits of dialogue and information, so that later on, we could cut the piece more easily and it would still feel complete, even though it was shorter."
"From the beginning, we were prepared, we know how we would shoot and cut the two versions."
"It was actually Peter's idea that I should make the film. He called me in the very beginning, and I hadn't even read the book. So I read it and I liked it very much and I knew I'd certainly like to do it."
"I spent almost 3 months with Bergman, four hours every afternoon. We sat and went through the whole script. To be honest, most of the time we talked about life and other different things. It was really a wonderful time."
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