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Bille August

"The novel is a penetrating study of morals and ethics."

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"The novel is a penetrating study of morals and ethics."

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Amber Hurdle

"When you think about the period in which Agatha Christie's crime novels were written, they are actually quite edgy for the time."

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Amber Hurdle

"I have been used to consider poetry as "the food of love" said Darcy."Of a fine, stout, healthy love it may. Everything nourishes what isstrong already. But if it be only a slight, thin sort of inclination, Iam convinced that one good sonnet will starve it entirely away."

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Amber Hurdle

"Maybe the example of Southern fiction writing has been so powerful that Southern poets have sort of keyed themselves to that."

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Amber Hurdle

"Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror--of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision--he cried out twice, a cry that was no more than a breath:The horror! The horror!"

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Amber Hurdle

"Yet who reads to bring about an end, however desirable? Are there not some pursuits that we practise because they are good in themselves, and some pleasures that are final? And is not this among them? I have sometimes dreamt, at least, that when the Day of Judgment dawns and the great conquerors and lawyers and statesmen come to receive their rewards, their crowns, their laurels, their names carved indelibly upon imperishable marble, the Almighty will turn to Peter and will say, not without a certain envy when he sees us coming with our books under our arms, "Look, these need no reward. We have nothing to give them here. They have loved reading."

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Amber Hurdle

"June had drawn out every leaf on the trees. The mothers of Pimlico gave suck to their young. Messages were passing from the Fleet to the Admiralty. Arlington Street and Piccadilly seemed to chafe the very air in the Park and lift its leaves hotly, brilliantly, on waves of that divine vitality which Clarissa loved. To dance, to ride, she had adored all that."

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Amber Hurdle

"As far as now I can tell that most Stephen King fans don't know him well. They have read or viewed few works and their judge is based on them... that's now well knowing a writer!"

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Amber Hurdle

"Although I love elegant parties, dancing and dining and spending the night with a sweet woman in my arms, my life belongs to literature."

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Amber Hurdle

"Of all public figures and benefactors of mankind, no one is loved by history more than the literary patron. Napoleon was just a general of forgotten battles compared with the queen who paid for Shakespeare's meals and beer in the tavern. The statesman who in his time freed the slaves, even he has a few enemies in posterity, whereas the literary patron has none. We thank Gaius Maecenas for the nobility of soul we attribute to Virgil; but he isn't blamed for the selfishness and egocentricity that the poet possessed. The patron creates 'literature through altruism,' something not even the greatest genius can do with a pen."

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Amber Hurdle

"This is not writing at all. Indeed, I could say that Shakespeare surpasses literature altogether, if I knew what I meant."

Explore more quotes by Bille August

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Bille August
"I was mostly interested in it as a theatrical film. Personally, I am not so interested in television, simply because I don't watch television myself. I'm into movies."
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Bille August
"She is also brought to a point of zero in the beginning of the story, and I think you can say that about a lot of my films in that they are often about people who are brought to the point of zero in the beginning of the film."
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Bille August
"I wanted to make Jerusalem as feature film. But we couldn't finance it only through theatrical release, we couldn't get all the money we needed. We had to get some money from television. So we said, ok, let's do it both ways. So we did it in four parts."
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Bille August
"From the beginning, we were prepared, we know how we would shoot and cut the two versions."
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Bille August
"The big difference is the size of the crew and the flexibility of shooting because of the size. I mean, it's crazy. So you can't improvise, you cannot suddenly do something that comes to mind, whereas in a small production you have much more flexibility."
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Bille August
"It was actually Peter's idea that I should make the film. He called me in the very beginning, and I hadn't even read the book. So I read it and I liked it very much and I knew I'd certainly like to do it."
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Bille August
"We talked a lot about The Best Intentions and how we could shoot certain scenes in different ways with slightly different bits of dialogue and information, so that later on, we could cut the piece more easily and it would still feel complete, even though it was shorter."
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Bille August
"He considers the theatrical version of Fanny and Alexander an amputated version of what his original film was, and he doesn't really like the shorter film."
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Bille August
"I spent almost 3 months with Bergman, four hours every afternoon. We sat and went through the whole script. To be honest, most of the time we talked about life and other different things. It was really a wonderful time."
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Bille August
"It was a major dream come true at last. In many respects, Jerusalem is a very modern and important story about people in a period of transition, with all the unrest that permeates society on the eve of a new century. The big life issues are at stake."
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