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"I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber."
Film,
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"My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture."
Author Name
Personal Development
"Altman works in such an interesting way, letting things occur in the film even if he didn't particularly plan them."
Author Name
Personal Development
"We are the only state that does not have a State Film Corporation there to support the commercial industry."
Author Name
Personal Development
"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."
Author Name
Personal Development
"To make a documentary is one thing, to make a feature film is quite another."
Author Name
Personal Development
"I like the smell of film. I just like knowing there's film going through the camera."
Author Name
Personal Development
"Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee."
Author Name
Personal Development
"I met Milos in 1967. I was working on a student film. And there is Milos Forman. So that's how I met Milos."
Author Name
Personal Development
"How speak about an art which no one recognizes as an art? I know that a great deal has already been written about the "art of the cinema". One can read about it most every day in the newspapers & the magazines. But it is not the art of the cinema which you will find discussed therein--it is rather dire, botched embryo as it now stands revealed before our eyes, the still-birth which was mangled in the womb by the obstetricians of art."
Author Name
Personal Development
"I mean, Tarantino is such a SHMUCK 90 percent of the time. But ten percent of the time, I've seen genius shining off the guy."
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Personal Development
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"I sang in a rock band when I was training as a lawyer. You know, not professional, we just did it for fun. We just did gigs all over Edinburgh and some in Glasgow and some at festivals."
Fun
"As long as you do the best work that you can and not make it bland... because you're going down a lane that is trying to make everybody happy. You have to take an angle on these things."
Work
"The chance to be both artistically appreciated and commercially appreciated... That's what you hope for."
Hope
"I love doing the stunts. It's as simple as that."
Love
"I was training to be a lawyer... I was president of the law society at Glasgow University, and my bass guitarist was my secretary of my law society; the lead guitarist and writer worked at the law firm that I worked."
Society
"Angelina came up, and as soon as we said hello, I thought, This is going to be great. I'm really going to love doing this with her. And I did. And then I was very excited to do the movie after that."
Love
"I started singing for The Phantom in January, and we started filming in October and I sang all the way through to the next June. In fact, I was singing for about two months before I even knew I had the role."
Fact
"By that point, I had started taking singing lessons. And after the first session, I mean, I was surprised that the windows didn't shatter. And after the third session, I really didn't know where this voice had come from."
First
"I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber."
Film
"I knew I'd just done one of the most amazing things that I will ever get a chance to do. Just to be part of a musical that's not your background and to pull it off and to think that we've done something that's really special."
Chance
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