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"In fiction, too, after the death of Cooper the main tendency for nearly a generation was away from the conquest of new borders to the closer cultivation, east of the Mississippi, of ground already marked."
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"You are whatever you shall leave behind when you leave life!"

"Again, somehow, one saw life, a pure bead. I lifted the pencil again, useless though I knew it to be. But even as I did so, the unmistakable tokens of death showed themselves. The body relaxed, and instantly grew stiff. The struggle was over. The insignificant little creature now knew death. As I looked at the dead moth, this minute wayside triumph of so great a force over so mean an antagonist filled me with wonder. Just as life had been strange a few minutes before, so death was now as strange."

"Even in the valley of the shadow of death, two and two do not make six."

"Because I could not stop for death, He kindly stopped for me; The carriage held but just ourselves and immortality."
Explore more quotes by Carl Clinton Van Doren

"IT is mere coincidence that Cooper was born in the year which produced The Power of Sympathy and that when he died Uncle Tom's Cabin was passing through its serial stage, and yet the limits of his life mark almost exactly the first great period of American fiction."

"Melville brought to the task a sound knowledge of actual whaling, much curious learning in the literature of the subject, and, above all, an imagination which worked with great power upon the facts of his own experience."

"The two most common charges against the older fiction, that it pleased wickedly and that it taught nothing, had broken down before the discovery, except in illiberal sects, that the novel is fitted both for honest use and for pleasure."

"Although by 1851 tales of adventure had begun to seem antiquated, they had rendered a large service to the course of literature: they had removed the stigma, for the most part, from the word novel."

"Familiar life, tending to sordidness, had been succeeded by remote life, generally idealized; historical detail had been brought in to teach readers who were being entertained."

"The region west of the Mississippi continued in the popular mind to be a strange land for which the reports of explorers and travellers did the work of fiction, and Cooper's Prairie had few followers."

"Guy Rivers, a conventional piece as regards the love affair which makes a part of the plot, is a tale of deadly strife between the laws of Georgia and a fiendish bandit."

"In fiction, too, after the death of Cooper the main tendency for nearly a generation was away from the conquest of new borders to the closer cultivation, east of the Mississippi, of ground already marked."
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