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"I have a million things to talk to you about. All I want in this world is you. I want to see you and talk. I want the two of us to begin everything from the beginning."
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"Don't use your words to criticize, condemn, or complain; us your words to appreciate, inspire, and empower."
"The thing is that it could never again feel natural to talk to her."
"Spoken words have power beyond measure."
"Our speech is poor interpretation of our perception."
"Meetings! Meetings! Meetings!Do they ever achieve anything or do they just let a lot of hot air out of an already over inflated balloon?"
"When we talk, we express our preconceived thoughts, when we listen, we learn and give birth to new thoughts."
"They had nothing in common but the English language, and tried by its help to express what neither of them understood."
"If you need only 10 minutes to speak about a topic that requires 60 minutes, then you are a good speaker. If you need 60 minutes to speak about a topic which requires only 10 minutes, then you are a Romanian preacher."
"He sounded absolutely miserable. "Are you ever going to speak to me?"
"From a personal experience and the examination of literature, I feel that we cannot take for granted that a dialogue, without information and perhaps without understanding, is possible between any individuals or groups on all levels. So the prerequisite is information."
Explore more quotes by Haruki Murakami
"Okay, let's put it this way. I would like to sleep with you. But it's alright if I don't sleep with you. What I'm saying is I'd like to be as fair as possible. I don't want to force anything on anybody, any more than I'd want anything forced on me. It's enough that I feel your presence or see your commas swirling around me."
"In dreams you don't need to make any distinctions between things. Not at all. Boundaries don't exist. So in dreams there are hardly ever collisions. Even if there are, they don't hurt. Reality is different. Reality bites. Reality, reality."
"Haida stopped and glanced at the clock on the wall. Then he looked at Tsukuru. He was, of course, Haida the son, but Haida the father has been the same age in his story, and so the two of them began to overlap in Tsukuru's mind. It was an odd sensation, as if the two distinct temporalities had blended into one. Maybe it wasn't the father who had experienced this, but the son. Maybe Haida was just relating it as if his father had experienced it, when in reality he was the one who had. Tsukuru couldn't shake this illusion."
"The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues....[But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings."
"I always felt as if I'd been handed a cardboard box crammed full of monkeys. I'd take the monkeys out of the box one at a time, carefully brush off the dust, give them a pat on the bottom, and send them scurrying off into the fields. I never knew where they went from there."
"She tried to think about what lay ahead, but soon gave up. 'Words turn into stone,' Nimit had told her. She settled deep into her seat and closed her eyes. All at once the image came to her of the sky she had seen while swimming on her back. And Erroll Garner's 'I'll Remember April.' Let me sleep, she thought. Just let me sleep. And wait for the dream to come."
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