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"A dominant impulse on encountering beauty is to wish to hold on to it, to possess it and give it weight in one's life. There is an urge to say, 'I was here, I saw this and it mattered to me."
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"A goatee is to beards what diamonds are to ornaments."
"Everyone wants a little bit of something beautiful."
"Isn't he beautiful? His silky hair, his muscles so strong and powerful yet amazingly, he trembles slightly at my touch, and the more I stroke him, the more he leans into my hand,' Keirah said her eyes remaining on the horse. Yes, Keirah, the horse is a fine one,' Wharick said as he slowly walked closer to her. 'What I said was not to you, Gwarda,' she teased, 'I was speaking to the horse."
"Beauty is truth - truth beauty - that is all Ye know on earth and all ye need to know."
"And as for Owen Warland, he looked placidly at what seemed the ruin of his life's labor, and which was yet no ruin. He had caught a far other butterfly than this. When the artist rose high enough to achieve the beautiful, the symbol by which he made it perceptible to mortal senses became of little value in his eyes while his spirit possessed itself in the enjoyment of the reality."
"It was very still. The tree was tall and straggling. It had thrown its briers over a hawthorn-bush, and its long streamers trailed thick, right down to the grass, splashing the darkness everywhere with great spilt stars, pure white. In bosses of ivory and in large splashed stars the roses gleamed on the darkness of foliage and stems and grass. Paul and Miriam stood close together, silent, and watched. Point after point the steady roses shone out to them, seeming to kindle something in their souls. The dusk came like smoke around, and still did not put out the roses."
"Oh, glorious Art!" thus mused the enthusiastic painter, as he trod the street. "Thou art the image of the Creator's own. The innumerable forms that wander in nothingness start into being at thy beck. The dead live again. Thou recallest them to their old scenes, and givest their gray shadows the lustre of a better life, at once earthly and immortal. Thou snatchest back the fleeing moments of History. With thee, there is no Past; for at thy touch, all that is great becomes forever present; and illustrious men live through long ages in the visible performance of the very deeds which made them what they are."
"It's the imperfections that make things beautiful."
"Beauty of style and harmony and grace and good rhythm depend on simplicity " I mean the true simplicity of a rightly and nobly ordered mind and character, not that other simplicity which is only a euphemism for folly."
"Professionalism in art has this difficulty: To be professional is to be dependable, to be dependable is to be predictable, and predictability is esthetically boring - an anti-virtue in a field where we hope to be astonished and startled and at some deep level refreshed."
Explore more quotes by Alain de Botton
"Our exertions generally find no enduring physical correlatives. We are diluted in gigantic intangible collective projects, which leave us wondering what we did last year and, more profoundly, where we have gone and quite what we have amounted to....How different everything is for the craftsman who ... can step back at the end of a day or lifetime and point to an object--whether a square of canvas, a chair or a clay jug--and see it as a stable repository of his skills and an accurate record of his years, and hence feel collected together in one place, rather than strung out across projects which long ago evaporated into nothing one could hold or see."
"What a peculiar civilisation this was: inordinately rich, yet inclined to accrue its wealth through the sale of some astonishingly small and only distantly meaningful things, a civilisation torn and unable sensibly to adjudicate between the worthwhile ends to which money might be put and the often morally trivial and destructive mechanisms of its generation."
"Just be yourself' is about the worst advice you can give some people."
"The materialistic view of happiness of our age starkly revealed in our understanding of the word "luxury."
"If we were entirely sane, if madness did not have a serious grip on one side of us, other people's tragedies would hold a great deal less interest for us."
"A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain."
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