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Richard Donner

"I was really disappointed that Warner Bros. didn't think highly enough of my film or my filmmaking to ask me to make the new Superman."

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"I was really disappointed that Warner Bros. didn't think highly enough of my film or my filmmaking to ask me to make the new Superman."

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Amber Hurdle

"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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Amber Hurdle

"It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable."

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Amber Hurdle

"I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing."

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Amber Hurdle

"I lived in Vancouver, where they film so many things. So it gave me a good shot at it."

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Amber Hurdle

"I've never made a film using dialogue or speech."

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Amber Hurdle

"I'm a film doll. But I'm enjoying it. So I'm gonna keep doing it."

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Amber Hurdle

"I got an agent and went up for the part of my first film, Five Gates to Hell."

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Amber Hurdle

"Looper is another great film."

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Amber Hurdle

"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."

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Amber Hurdle

"I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film."

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Richard Donner
"It was 1978 when Superman came out, and I kept thinking, Why don't they do something about it? They've done all these crappy attempts at comic book film adaptations. What can we do different? Why don't we just re-release this thing?"
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Richard Donner
"It was the beginning of film for television. So we had all of these great opportunities. Northwestern was probably the only major film school of its kind at the time that was graduating anybody important."
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Richard Donner
"How was I going to make a man fly? How was I going to convince the public that an actor could fly?"
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Richard Donner
"First cuts are a bitch for a director, because it's been so many months and you put your trust in your editor and you're going to see your film assembled for the first time. You look at it and go, This is terrible. I hate it."
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Richard Donner
"I was painting sets, working in editorial as an assistant, driving their trucks, lying that I knew how to drive a truck, and doing commercials and documentaries."
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Richard Donner
"It's only been a couple of times in my life that I've really locked horns with actors. It did not hurt the films, it just hurt the moment of the filmmaking."
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Richard Donner
"Some actors just won't bend, and then it's a bitch. You either fight or find ways of putting your words in their mouth and letting them say it back at you."
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Richard Donner
"That's how you get a performance - they put trust in you."
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Richard Donner
"I'm open to comments. I'm open to objective points of view, because I've been very narrow and very subjective."
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Richard Donner
"Superman was never previewed because the producers didn't trust Warners with the film."
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