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Marilynne Robinson

"I love the writers of my thousand books. It pleases me to think how astonished old Homer, whoever he was, would be to find his epics on the shelf of such an unimaginable being as myself, in the middle of an unrumored continent. I love the large minority of the writers on my shelves who have struggled with words and thoughts and, by my lights, have lost the struggle. All together they are my community, the creators of the very idea of books, poetry, and extended narratives, and of the amazing human conversation that has taken place across the millennia, through weal and woe, over the heads of interest and utility."

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"I love the writers of my thousand books. It pleases me to think how astonished old Homer, whoever he was, would be to find his epics on the shelf of such an unimaginable being as myself, in the middle of an unrumored continent. I love the large minority of the writers on my shelves who have struggled with words and thoughts and, by my lights, have lost the struggle. All together they are my community, the creators of the very idea of books, poetry, and extended narratives, and of the amazing human conversation that has taken place across the millennia, through weal and woe, over the heads of interest and utility."

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Amber Hurdle

"The thing that teases the mind over and over for years, and at last gets itself put down rightly on paper whether little or great, it belongs to Literature."

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Amber Hurdle

"Not that length and weight alone indicate excellence, many epic tales are pretty much epic crap."

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Amber Hurdle

"The reader is probably wondering that if Tolkien did indeed fashion two of his heroic characters from Catholic prophecies, what about the evil protagonists? Were any of them inspired by these little-known revelations concerning future times? The answer is yes, but to discover the links between the myth and the prophecies, we must venture not only into the realm of unnerving revelations, but also into the murky world of secret sects, dark plots, occult signs, bloody revolutions and conspiracy theories ~ we must probe deep into the burning Eye of Sauron."

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Amber Hurdle

"I crossed the yard, wherein the constellations looked down upon me, I could have thought, with wonder, the first creature of that sort that their unsleeping vigilance had yet disclosed to them; I stole through the corridors, a stranger in my own house; and coming to my room, I saw for the first time the appearance of Edward Hyde."

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Amber Hurdle

"The writer studies literature, not the world. He is careful of what he reads, for that is what he will write."

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Amber Hurdle

"A book is made from a tree. It is an assemblage of flat, flexible parts (still called "leaves") imprinted with dark pigmented squiggles. One glance at it and you hear the voice of another person, perhaps someone dead for thousands of years. Across the millennia, the author is speaking, clearly and silently, inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people, citizens of distant epochs, who never knew one another. Books break the shackles of time - proof that humans can work magic."

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Amber Hurdle

"Upon the publication of Goethe's epic drama, the Faustian legend had reached an almost unapproachable zenith. Although many failed to appreciate, or indeed, to understand this magnum opus in its entirety, from this point onward his drama was the rule by which all other Faust adaptations were measured. Goethe had eclipsed the earlier legends and became the undisputed authority on the subject of Faust in the eyes of the new Romantic generation. To deviate from his path would be nothing short of blasphemy."

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Amber Hurdle

"If it's not good enough for adults, it's not good enough for children. If a book that is going to be marketed for children does not interest me, a grownup, then I am dishonoring the children for whom the book is intended, and I am dishonoring books. And words."

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Amber Hurdle

"A successful book is not made of what is in it, but what is left out of it."

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Amber Hurdle

"You can always count on a murderer for a fancy prose style."

Explore more quotes by Marilynne Robinson

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Marilynne Robinson
"My reputation is largely the creature of the kindly imaginings of my flock, whom I chose not to disillusion, in part because the truth had the kind of pathos in it that would bring on sympathy in its least bearable forms."
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Marilynne Robinson
"Well, but you two are dancing around in your iridescent little downpour, whooping and stomping as sane people ought to do when they encounter a thing so miraculous as water."
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Marilynne Robinson
"I've often been sorry to see a night end, even while I have loved seeing the dawn come."
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Marilynne Robinson
"A lot of Christian extremism has done a great deal to discredit religion the main religious traditions have abandoned their own intellectual cultures so drastically that no one has any sense of it other than the fringe."
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Marilynne Robinson
"I feel as if I am being left out, as though I'm some straggler and people can't quite remember to stay back for me."
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Marilynne Robinson
"I want to overhear passionate arguments about what we are and what we are doing and what we ought to do. I want to feel that art is an utterance made in good faith by one human being to another. I want to believe there are geniuses scheming to astonish the rest of us, just for the pleasure of it."
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Marilynne Robinson
"Language is music. Written words are musical notation. The music of a piece of fiction establishes the way in which it is to be read, and, in the largest sense, what it means. It is essential to remember that characters have a music as well, a pitch and tempo, just as real people do. To make them believable, you must always be aware of what they would or would not say, where stresses would or would not fall."
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Marilynne Robinson
"She knew better than to waste that time. There isn't always someone who wants you singing to him or nibbling his ear or brushing his cheek with a dandelion blossom. Somebody who knows when you're being silly, and laughs and laughs. So long as he was little enough to carry, she could hardly bring herself to put him down."
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Marilynne Robinson
"It was a source of both terror and comfort to me then that I often seemed invisible - incompletely and minimally existent, in fact. It seemed to me that I made no impact on the world, and that in exchange I was privileged to watch it unawares."
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Marilynne Robinson
"When I see a man or woman alone, he or she looks mysterious to me, which is only to say that for a moment I see another human being clearly."
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