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John Schlesinger

"There are certain actors who are very good at improvising, like Dustin Hoffman and Glenda Jackson."

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"There are certain actors who are very good at improvising, like Dustin Hoffman and Glenda Jackson."

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Amber Hurdle

"I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely."

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Amber Hurdle

"The first thing you should do with an actor is not sign a contract with him. Take him to dinner. And take him for a walk afterwards."

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Amber Hurdle

"The worst thing for an actor is a director that gets on your nerves and says things that actually confuse you."

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Amber Hurdle

"I've always seen it as the role of an artist to drag his inside out, give the audience all you've got. Writers, actors, singers, all good artists do the same. It isn't supposed to be easy."

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Amber Hurdle

"Today some actors get a little full of themselves about what they're doing."

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Amber Hurdle

"We want the best actor, and that's why Matt Damon worked so well in this role, because he's a great actor."

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Amber Hurdle

"The only thing we don't do together is get in front of an actor and show any indecision at all about what we think. We don't always agree, so we meet privately, then one or the other will approach the actor."

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Amber Hurdle

"In discussing the process with the actors, I made it clear to them that they could improvise but that the sum total of their improvisation needed to impart certain plot points, and schematic material."

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Amber Hurdle

"I was an actor... or, at least, I was trying to be an actor."

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Amber Hurdle

"It makes me feel good that I can now sit there and go, I've worked with Jack Nicholson, Al Pacino, all the great actors that I've worked with... Sir Ben Kingsley."

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John Schlesinger
"I have a feeling he felt Jon Voight had run away with the film, which he didn't, though he was brilliant in it, in a much less easy part. I just don't know what had got into him, but something had."
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John Schlesinger
"Symbolism perhaps is a bit in your face, and I've tried my best to control that as best I can as I've grown older and thought that one could approach something with a little more subtlety."
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John Schlesinger
"That attitude toward women as objects may have worked for the late Sixties, but it doesn't do so now."
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John Schlesinger
"Oh, the relationship with actors and managers and agents and things is a terrible problem sometimes."
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John Schlesinger
"I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise."
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John Schlesinger
"I met a hustler at a dinner party. He had been invited because I was looking for an adviser to help me with the street scenes. So we put him on the film."
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John Schlesinger
"Hollywood is an extraordinary kind of temporary place."
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John Schlesinger
"I've never felt that using something with tongue in cheek has been a bad thing."
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John Schlesinger
"I thought his performance was absolutely wonderful and had said so, but he seemed, as actors quite often are when they first see.something, to be disappointed. I think he expected more from the film and himself."
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John Schlesinger
"Yes, but I think if you look at it with a sort of gay sensibility and want everything to be positive about gay life, it could be interpreted as antigay."
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