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"You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice."
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"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."

"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."

"Let music ignite your vivid inner colors and bring you harmony inside and out."

"A work of art has no importance whatever to society. It is only important to the individual."

"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."
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"Warhol's images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn't think about him a hell of a lot."

"Do you know why language manifests itself the way it does in my work? It's because I understand short attention spans."

"I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances."

"There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives."

"If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture."

"I think there are lots of ways to make good work. You can throw big bucks at a project and make what some would call crap, or you can work very modestly with eloquently moving results."

"Look, we're all saddled with things that make us better or worse. This world is a crazy place, and I've chosen to make my work about that insanity."

"There's a moment of recognition. It's that white-light kind of stuff that just "works." I love that. And you know it when it happens, whether it's a movie, music, a building, a book."
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