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"For instance, if you're playing a record with drums - horns would sound nice to enhance it so you get a record with horns and slip it in at certain times."
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"Get someone else to blow your horn and the sound will carry twice as far."
Author Name
Personal Development
"I wanted something very dense, something that would sustain long and more pieces of wood that would be soft, sweet, for more of a mellow sound."
Author Name
Personal Development
"Sound.Noisethe air employs.Melodies sweet.Tweet, tweet, tweet.Soft. Loud.A roaring crowd.Cluck. Caw. Crow.Tet, tet. Tis, tis.Guttural growl.Harrowing howl.Drip, drip, drip.Tap, tap, tap.Moan and groan.Endless drone.Ding, dang, dong.A church bell song.Vibrations in my earto hear.Sound."
Author Name
Personal Development
"I'm not interested in having an orchestra sound like itself. I want it to sound like the composer."
Author Name
Personal Development
"When we started the band, it was because we were waiting for a sound that never happened. We got tired of waiting, and we decided to just do it ourselves."
Author Name
Personal Development
"It's very important to go through periods where you sound just rotten and you know it, and you have to persevere or give up."
Author Name
Personal Development
"I want to take some jams and really concentrate on hooking up with Page because, since he's the only one not next to me, and his sound is mainly coming from my monitor rather than through the air, it's a little harder for me to hook up with him."
Author Name
Personal Development
"I've seen a study in the last year that digital sound actually induces stress in the listener."
Author Name
Personal Development
"That's the thing I like about my sound. It's real raw and very unsafe compared to a solid state kind of sound."
Author Name
Personal Development
"The sound has grown and sweetened over the years as well, and you can hear it on many of my recordings and, most likely, will see and hear me playing it if you come to a live show."
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Personal Development
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"Do not let any record company disturb your creative flow. You are not writing for the record company. You're writing for the public."
Company
"Disco was brand new then and there were a few jocks that had monstrous sound systems but they wouldn't dare play this kind of music. They would never play a record where only two minutes of the song was all it was worth. They wouldn't buy those types of records."
Music
"For instance, if you're playing a record with drums - horns would sound nice to enhance it so you get a record with horns and slip it in at certain times."
Sound
"I had to go into a studio and compose and write and press up 12 songs in 14 hours. When you're recording a song from scratch it takes you 14 hours to do just one song."
Press
"We can come from our own particular point of view and lay it down. We should not be throwing verbal rocks at each other. We're all responsible to continue the growth of Hip Hop."
Growth
"All you have to know is mathematically how many times to scratch it and when to let it go - when certain things will enhance the record you're listening to."
Listening
"For us to keep claiming this isn't Hip Hop and that isn't Hip Hop doesn't make sense to me."
Sense
"I had love for Breakout; I had love for Bambaataa. I had love for Kool Herc."
Love
"I think what's happening here is, there's a group or maybe one person who is saying this is gonna be the definition and this is what we want to get the kids to do now."
Kids
"We can even sing off key, but if it's produced properly it can be a hit."
Key
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