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Grandmaster Flash

"For instance, if you're playing a record with drums - horns would sound nice to enhance it so you get a record with horns and slip it in at certain times."

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"For instance, if you're playing a record with drums - horns would sound nice to enhance it so you get a record with horns and slip it in at certain times."

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Amber Hurdle

"I don't think you can contrive any sound."

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Amber Hurdle

"Sounds travel through space long after their wave patterns have ceased to be detectable by the human ear: some cut right through the ionosphere and barrel on out into the cosmic heartland, while others bounce around, eventually being absorbed into the vibratory fields of earthly barriers, but in neither case does the energy succumb; it goes on forever - which is why we, each of us, should take pains to make sweet notes."

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Personal Development

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Amber Hurdle

"When we started the band, it was because we were waiting for a sound that never happened. We got tired of waiting, and we decided to just do it ourselves."

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Amber Hurdle

"The sound has grown and sweetened over the years as well, and you can hear it on many of my recordings and, most likely, will see and hear me playing it if you come to a live show."

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Personal Development

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Amber Hurdle

"My uncle gave me a trumpet, but I loved the Louis Armstrong sound and the Harry James sound and I played by ear and I played always soulful or very direct from the gut."

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Personal Development

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Amber Hurdle

"Most bands have a sound that they're already identified with, so for the producer it becomes a process of helping them find their muse in the studio to make a record that will not only satisfy them artistically, but will also do something in the marketplace."

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Amber Hurdle

"If you're a good singer, you're going to make anything sound good."

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Personal Development

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Amber Hurdle

"Locations are all tough, all miserable. I never left the sound stage for 18 years at Warners. We never went outside the studio, not even for big scenes."

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Personal Development

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Amber Hurdle

"The one thing you don't want is that stale sound when you've done a line so much you can't find a fresh approach to it. Drop it."

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Amber Hurdle

"I know guys in my hometown that drive by feel and sound."

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Grandmaster Flash
"We can even sing off key, but if it's produced properly it can be a hit."

Key

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Grandmaster Flash
"All you have to know is mathematically how many times to scratch it and when to let it go - when certain things will enhance the record you're listening to."

Listening

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Grandmaster Flash
"For us to keep claiming this isn't Hip Hop and that isn't Hip Hop doesn't make sense to me."

Sense

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Grandmaster Flash
"But I had two very special people who helped to take my style to the next level. Thank God for my first MC Cowboy and my first student Grand Wizard Theodore, and to go out after creating this art form and finding everyone jamming to it - that too was pretty scary."

Art

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Grandmaster Flash
"Disco B still rolls with me now. He's still doing his thing. He does clubs in different places. He was very instrumental in helping me perfect my craft."

Now

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Grandmaster Flash
"The type of mixing that was out then was blending from one record to the next or waiting for the record to go off and wait for the jock to put the needle back on."

Waiting

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Grandmaster Flash
"I had to go into a studio and compose and write and press up 12 songs in 14 hours. When you're recording a song from scratch it takes you 14 hours to do just one song."

Press

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Grandmaster Flash
"For anybody to say well this is not Hip Hop and that's not Hip Hop, that is not the way the formula was laid down. It was for the people who were going to continue take anything musically and string it along."

People

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Grandmaster Flash
"Do not let any record company disturb your creative flow. You are not writing for the record company. You're writing for the public."

Company

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Grandmaster Flash
"I had love for Breakout; I had love for Bambaataa. I had love for Kool Herc."

Love

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