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John Dykstra

"As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate."

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"As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate."

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Amber Hurdle

"The sharp thorn often produces delicate roses."

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Amber Hurdle

"Light travels half away around the world while darkness is still putting its shoes on."

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Amber Hurdle

"Somehow creationists keep us naturalists in track to some extent. They are the representation of human stupidity at its extreme. And we need some stupidity in the society for true intellect to be adored."

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Amber Hurdle

"The beauty of shadow comes from the beauty of light!"

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Amber Hurdle

"The weaknesses of the wise are better than the strengths of fools."

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Amber Hurdle

"One dream, will suffice a thousand nightmares."

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Amber Hurdle

"The power of fiction is a great thing. But, after all, reality is just a little more important."

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Amber Hurdle

"And yet all loneliness, angers, hatreds, envies, and itchings that (Hell) contains, if rolled into one single experience and put into the scale against the least moment of the joy that is felt by the least in Heaven, would have no weight that could be registered at all. Bad cannot succeed even in being bad as truly as good is good."

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Amber Hurdle

"Whilst some people inspire, others conspire!"

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Amber Hurdle

"Logic only gives man what he needs, he stammered. "Magic gives him what he wants."

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John Dykstra
"Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image."
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John Dykstra
"Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you."
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John Dykstra
"George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that."
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John Dykstra
"In the first Spider-Man, at the end of the movie, Peter Parker had to deny himself a relationship with a girl that he's in love with. The very next thing that happens is that he's swinging through the city."
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John Dykstra
"I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on."
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John Dykstra
"It's an embarrassment of riches because you have directors who don't better. You end up with so much stuff going on the screen that you don't know where to look, and that's what I consider self-indulgent."
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John Dykstra
"You had to make a camera look like it's traveling at 300 mph, but you couldn't make it actually travel at 300 mph so you had to slow everything down and build devices to do that. So you were constantly engineering."
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John Dykstra
"We stayed there 24 hours a day. We lived and ate and slept that movie. We were enthusiastic, not just because of the movie, but because we had such a great collaborative team. We had a really good time. It was very much a family."
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John Dykstra
"Digital imaging has untied our hands with regards to technical limitations. We no longer have to be arbiters of technology; we get to participate in the interpretation of technology into creative content."
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John Dykstra
"I like engineering, but I love the creative input."
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