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"The reader becomes God, for all textual purposes. I see your eyes glazing over, so I'll hush."
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"The confidence in another man's virtue is no light evidence of a man's own, and God willingly favors such a confidence."

"Reagan was all about America, and you talked about it. Obama is, 'We are above that now. We're not just parochial, we're not just chauvinistic, we're not just provincial. We stand for something.' I mean, in a way, Obama's standing above the country, above - above the world. He's sort of God. He's going to bring all different sides together."

"Experience: that most brutal of teachers. But you learn, my God do you learn."
Explore more quotes by David Foster Wallace

"It can become an exercise in trying to get the reader to like and admire you instead of an exercise in creative art."

"The key is the ability, whether innate or conditioned, to find the other side of the rote, the picayune, the meaningless, the repetitive, the pointlessly complex. To be, in a word, unborable. If you are immune to boredom, there is literally nothing you cannot accomplish."

"It is also lonely on a level that cannot be conveyed ... If a person in physical pain has a hard time attending to anything except that pain, a clinically depressed person cannot even perceive any other person or thing as independent of the universal pain that is digesting her cell by cell."

"Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly."

"Bliss-a-second-by-second joy and gratitude at the gift of being alive, conscious-lies on the other side of crushing, crushing boredom. Pay close attention to the most tedious thing you can find (Tax Returns, Televised Golf) and, in waves, a boredom like you've never known will wash over you and just about kill you. Ride these out, and it's like stepping from black and white into color. Like water after days in the desert. Instant bliss in every atom."

"The problem is that once the rules of art are debunked, and once the unpleasant realities the irony diagnoses are revealed and diagnosed, "then" what do we do?"

"He could do the dextral pain the same way: Abiding. Here was a second right here: he endured it. What was undealable-with was the thought of all the instants all lined up and stretching ahead, glittering. And the projected future fear. ... It's too much to think about. To Abide there. But none of it's as of now real. ... He could just hunker down in the space between each heartbeat and make each heartbeat a wall and live in there. Not let his head look over. What's unendurable is what his own head could make of it all. ... But he could choose not to listen."

"Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. ... The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years."

"Almost anyone who loves tennis and follows the men's tour on television has, over the last few years, had what might be termed Federer Moments. These are times, watching the young Swiss at play, when the jaw drops and eyes protrude and sounds are made that bring spouses in from other rooms to see if you're OK."
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