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"Cities also believe they are the work of the mind or of chance, but neither the one nor the other suffices to hold up their walls. You take delight not in a city's seven or seventy wonders, but in the answer it gives to a question of yours. or to the question it asks you, forcing you to answer, like Thebes through the mouth of the Sphinx."
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"Thought, if I may put it, is the man behind the possession, appearance, things we like, things we hate and the very epitome of life."
"Your subconscious mind is the universal mind with a universal consciousness."
"Absolute is infinite so there is no absolute truth. There is truth that you can see in infinite ways and make your own."
"Every aspect of your life will be enlivened when you start to think and communicate with your heart and mind in cohesive coordinated harmony."
"Think about yourself because no one has time to think about you. Everyone is busy thinking about themselves."
"I don't claim to know everything, Wally. I only claim that everything can eventually be known."
"I don't know who you are or where you are, but I know your deep driving desires. I am writing to you to make your life a little easier and better."
"There are two kinds of people:those who learned to love and those who didn't."
"Any education that doesn't allow you to think freely is not an education but a prison."
"I came to this world to bloom and spread my love to fill the world with happiness."
Explore more quotes by Italo Calvino
"The satirist is prevented by repulsion from gaining a better knowledge of the world he is attracted to, yet he is forced by attraction to concern himself with the world that repels him."
"The catalogue of forms is endless: until every shape has found its city, new cities will continue to be born. When the forms exhaust their variety and come apart, the end of cities begins."
"Journeys to relive your past?' was the Khan's question at this point, a question which could also have been formulated: 'Journeys to recover your future?'And Marco's answer was: 'Elsewhere is a negative mirror. The traveller recognizes the little that is his, discovering the much he has not had and willnever have."
"Your house, being the place in which you read, can tell us the position books occupy in your life, if they are a defense you set up to keep the outside world at a distance, if they area dream into which you sink as if into a drug, or bridges you cast toward the outside, toward the world that interests you so much that you want to multiply and extend its dimensions through books."
"Seek and learn to recognize who and what, in the midst of the inferno, are not inferno, then make them endure, give them space."
"Marco's answers and objections took their place in a discourse already proceeding on its own, in the Great Khan's head. That is to say, between the two of them it did not matter whether questions and solutions were uttered aloud or whether each of the two went on pondering in silence. In fact, they were silent, their eyes half-closed, reclining on cushions, swaying in hammocks, smoking long amber pipes.Marco Polo imagined answering (or Kublai Khan imagined his answer) that the more one was lost in unfamiliar quarters of distant cities, the more one understood the other cities he had crossed to arrive there."
"The real protagonist of the story, however, is the magic ring, because it is the movements of the ring that determine those of the characters and because it is the ring that establishes the relationships between them. Around the magic object there forms a kind of force field that is in fact the territory of the story itself. We might say that the magic object is an outward and visible sign that reveals the connection between people or between events. . . We might even say that in a narrative any object is always magic."
"I'm accustomed to thinking of literature as a search for knowledge; in order to move onto existential terrain I need to consider it in relation to anthropology, ethnology, and mythology."
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