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"I began a poem in lines of one syllable. It's rather difficult, but the merit of all things lies in their difficulty. The subject matter is gallant. I'll read you the first canto; it's four hundred verses long and takes one minute."
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"A writer out of loneliness is trying to communicate like a distant star sending signals. He isn't telling, or teaching, or ordering. Rather, he seeks to establish a relationship with meaning, of feeling, of observing. We are lonesome animals. We spend all our live trying to be less lonesome. And one of our ancient methods is to tell a story, begging the listener to say, and to feel, "Yes, that's the way it is, or at least that's the way I feel it. You're not as alone as you thought." To finish is sadness to a writer, a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done."
"Certainly the plagiarism, and dealing with the fallout of it, was the most difficult thing I've ever faced since I started writing."
"Bad writing is more than a matter of shit syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do- to face the fact, let us say, that murderers sometimes help old ladies cross the street."
"T[he rules of writing] require that the personages in a tale shall be alive, except in the case of corpses, and that always the reader shall be able to tell the corpses from the others."
"I believe the first draft of a book - even a long one - should take no more than three months. Any longer and - for me, at least - the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave duiring a period of severe sunspot activity."
"Some people write letters, in the library."
"In the middle section of the book Mirabelle breaks into not one, but two houses near Belgravia Books. I had fun scoping these out - checking which windows looked least secure and figuring out how to scale the mews houses to the rear to get her inside. A man came out at one point, 'What are you doing?' he questioned me. 'The thing is, I'm writing a book,' I started with a smile. He waved me off, his hand as wide as a tennis racket. 'Everyone is writing a book, my dear,' he said. Between you and I, it's his house that MIrabelle ends up breaking into."
Explore more quotes by Alexandre Dumas
"Besides the pleasure, there is always remorse, from the indulgence of our passions; and, after all, what have you men to fear from all this; the world excuses, and notoriety ennobles you?"
"How strange," continued the king, with some asperity; "the police think that they have disposed of the whole matter when they say, 'A murder has been committed,' and especially so when they can add, 'And we are on the track of the guilty persons."
"These groups followed some solitary passer-by, hurrying his steps; one after another the doors were closed, one after."
"But these first needs of the heart are so imperious, these outpourings of amorous melancholy in young people are at once so sweet and so bitter, that they have often all the real marks of the passion."
"I have no fear of ghosts, and I have never heard it said that so much harm had been done by the dead during 6,000 years as it brought by the living in a single day."
"Oh, Mercedes, I have spoken your name with sighs of melancholy, with groans of pain and with the croak of despair. I have spoken it frozen with cold, huddled on the straw of my dungeon. I have spoken it raging with heat and rolling around on the stone floor of my prison. Mercedes, I must have my revenge, because for fourteen years I suffered, fourteen years I wept and cursed. Now, I say to you, Mercedes, I must have my revenge!"
"Be happy, noble heart, be blessed for all the good thou hast done and wilt do hereafter, and let my gratitude remain in obscurity like your good deeds."
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