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Henry Flynt

"Basically, I viewed any work of art as an imposition of another person's taste, and saw the individual making this imposition as a kind of dictator."

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"Basically, I viewed any work of art as an imposition of another person's taste, and saw the individual making this imposition as a kind of dictator."

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Amber Hurdle

"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

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Amber Hurdle

"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."

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Amber Hurdle

"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."

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Amber Hurdle

"Let music ignite your vivid inner colors and bring you harmony inside and out."

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Amber Hurdle

"I have always noticed that in portraits of really great writers the mouth is always firmly closed."

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Amber Hurdle

"A work of art has no importance whatever to society. It is only important to the individual."

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Amber Hurdle

"Rules and models destroy genius and art."

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Amber Hurdle

"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."

Explore more quotes by Henry Flynt

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Henry Flynt
"I'm trying to assemble materials for a different mode of life."
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Henry Flynt
"I was a student at Harvard, and that's where I learned about so-called avant-garde music. Jackson Pollock, abstract expressionism and painting were well known at this time."
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Henry Flynt
"At the same time, I was listening to black music, and I began to think that the best musicians were receiving the worst treatment. The people who were doing the greatest work were despised as lower class, with no dignity accorded to what they did."
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Henry Flynt
"Rock became an incredible commercial success, people just became bored with serious music, and it was forgotten."
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Henry Flynt
"I began composing works which were imitative of the music I was being told about. I was also very interested in translating the music into visual terms."
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Henry Flynt
"When I began competing with the other artists in New York, I discovered classical North Indian music."
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Henry Flynt
"When I came to New York, I began to meet the people who became the most famous artists of our time. I was insecure about my own level of ability, I didn't know whether I could compete with these people and, at the same time. I was wondering what is this anyway?"
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Henry Flynt
"Around 1967 I began backing away from dogmatic Leninism, not so much because I thought it was false, I just decided there was nothing utopian about it."
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Henry Flynt
"In classical oil painting, there seemed to be a radical turn to seeing things as the camera sees them, with that technological modification. I began to have a tremendous problem with all of this."
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Henry Flynt
"I have a picture of an ideal consciousness."
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