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"Depression, suffering and anger are all part of being human."
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Explore more quotes by Janet Fitch
"I hadn't understood at the time. If sinners were so unhappy, why would they prefer their suffering? But now I knew why.Without my wounds, who was I? My scars were my face, my pastwas my life."
"Who am I? I am who I say I am and tomorrow someone else entirely. You are too nostalgic, you want memory to secure you, console you. The past is a bore. What matters is only oneself and what one creates from what one has learned. Imagination uses what it needs and discards the rest - where you want to erect a museum. Don't hoard the past, Astrid. Don't cherish anything. Burn it. The artist is the phoenix who burns to emerge."
"The question of good and the nature of evil will always be one of philosophy's most intriguing problems, up there with the problem of existence itself. If evil means to be self - motivated, to be the center of one's own universe, to live on one's own terms, then every artist, thinker, every original mind, is evil. Because we dare to look through our own eyes rather than mouth clichés lent us from the so - called Fathers. To dare to see is to steal fire from the Gods. This is mankind's destiny, the engine which fuels us as a race."
"The cake had a trick candle that wouldn't go out, so I didn't get my wish. Which was just that it would always be like this, that my life could be a party just for me."
"Let me tell you a few things about regret, my darling. There is no end to it. You cannot find the beginning of the chain that brought us from there to here. Should you regret the whole chain, and the air in between, or each link separately?"
"For what is writing besides capturing thoughts that belong to all of us, so that we can recognize ourselves, undestand ourselves, and perhaps, each other. Every thoughtful book about love makes us better lovers, I think. It opens the gates of perception."
"They dream of men with gentle hands, eloquent with tenderness, fingers that brushed along a cheek, that outlined open lips in the lovers' braille. Hands that sculpted sweetness from sullen flesh, that traced breast and ignited hips, opening, kneading. Flesh becomes bread in the heat of those hands, braided and rising."
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