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Diana Gabaldon

"Almost everybody understands that you have to have something at stake for a story to be good."

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"Almost everybody understands that you have to have something at stake for a story to be good."

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Amber Hurdle

"Maybe stories choose how they are told and who tells them."

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Amber Hurdle

"My father never told us how the stories worked. He didn't reveal the layers, the nuggets of information, the fragments of truth and fantasy. He didn't need to -- because, given the right conditions, the stories activated, sowing themselves."

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Amber Hurdle

"Every object holds a story."

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Amber Hurdle

"All men needed to hear their stories told. He was a man, but if he died without telling the story he would be something less than that, an albino cockroach, a louse. The dungeon did not udnerstand the idea of as tory. The dungeon was static, eternal, black and a story needed motion adn tiem and light. He felt his story slipping away from him, beocming inconsequential, ceasing to be. He has no story. There was no story. He was not a man. There was no man here. There was only the dungeon, and the slithering dark."

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Amber Hurdle

"I only know one story. But oftentimes small pieces seem to be stories themselves."

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Amber Hurdle

"Magician is the best storyteller in the world."

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Amber Hurdle

"Humans like stories. Humans need stories. Stories are good. Stories work. Story clarifies and captures the essence of the human spirit. Story, in all its forms-of life, of love, of knowledge-has traced the upward surge of mankind. And story, you mark my words, will be with the last human to draw breath."

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Amber Hurdle

"From the tiniest experience of your daily life to your grand perception of the universe, in various situations, the human brain tends to create its own myth and stories."

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Amber Hurdle

"So tell me, since it makes no factual difference to you and you can't prove the question either way, which story do you prefer? Which is the better story, the story with animals or the story without animals?"

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Amber Hurdle

"A story has value whether it's true or not."

Explore more quotes by Diana Gabaldon

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Diana Gabaldon
"Good sex scene is about the exchange of emotions, not bodily fluids."
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Diana Gabaldon
"It's always better if they see. Then they don't imagine things. So I didn't imagine, I remembered."
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Diana Gabaldon
"For a different woman, a different relationship, a different situation, gentleness might have been the proper, the only approach-but not for this woman, in these circumstances. The only thing that will cleanse Claire (and reassure her: look at what she says at the end of it. She feels safe again, having felt the power and violence in him) is violence. And-the most important point here-Jamie pays attention to what she wants, rather than proceeding with his own notion of how it should be, even though it's a sensible notion and the one most people would have."
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Diana Gabaldon
"That's the best thing I can think of. Having a good hold on your arse always makes me feel steady."
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Diana Gabaldon
"I put back my head, looking up at the deep black sky swimming with hot stars. If you knew they were really balls of flaming gas, you could imagine them as Van Gogh saw them, without difficulty . . . and looking into that illuminated void, you understood why people have always looked up into the sky when talking to God. You need to feel the immensity of something very much bigger than yourself, and there it is - immeasurably vast, and always near at hand. Covering you."
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Diana Gabaldon
"It's a good country for myths. Things seem to take root here."
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Diana Gabaldon
"It would ha' been a good deal easier, if ye'd only been a witch."
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Diana Gabaldon
"When I turned 35, I thought, 'Mozart was dead at 36, so I set the bar: I'm going to start writing a book on my next birthday.' I thought historical fiction would be easiest because I was a university professor and know my way around a library, and it seemed easier to look things up than make them up."
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Diana Gabaldon
"I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower's stem."
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Diana Gabaldon
"Still, he was pleased to know that he could recall so much of the play and passed the rest of the journey pleasantly in reciting lines to himself, being careful not to snort."
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