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"I wanted to tell a romantic and dark side of Ottoman history that was also slightly political, saying to the previous generation of writers, 'Look, I'm interested in Ottoman things, and I'm not afraid of it, and I'm doing something creative.'"
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"What makes people tick? Life can be a trap of ennui, but imagery may be a redemptive escape from dullness. The iconic power and exuberance of images generate an inexorable addiction that needs to be gratified without respite. Here and now! ['Give me more images']"
"The monotony and solitude of a quiet life stimulates the creative mind."
"For me poetry is an evasion of the real job of writing prose."
"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness."
"Anyone who knew Violet well could tell she was thinking hard, because her long hair was tied up in a ribbon to keep it out of her eyes. Violet had a real knack for inventing and building strange devices, so her brain was often filled with images of pulleys, levers, and gears, and she never wanted to be distracted by something as trivial as her hair."
"I always said you have to be really smart or really dumb to play this game well. I just don't know where I fit in."
"At eight, he had once told his mother that he wanted to paint air."
"My brain has become my enemy. We fight over creation and his need for sleep."
"The longer Ellen Cherry thought about it, the more convinced she became that the mission of the artist in an overtechnologized, overmasculinized society was to call the old magic back to life.Could it be done? Yeah, you pessimistic wimps, it could. Could she do it? Probably not, but she could give it a whirl."
"Creativity is the residue of time wasted."
Explore more quotes by Orhan Pamuk
"There's been quite a clear upswing in nationalist sentiments. Everyone is talking about it, in Turkey as well."
"Maybe you've understood by now that for men like myself, that is, melancholy men for whom love, agony, happiness and misery are just excuses for maintaining eternal loneliness, life offers neither great joy nor great sadness."
"My mood, as I identify with each of my heroes, resembles what I used to feel when I played alone as a child. Like all children, I liked to play make-believe, to put myself in someone else's place and imagine dream worlds in which I was a soldier, a famous soccer player, or a great hero."
"The real question is how much suffering we've caused our womenfolk by turning headscarves into symbols - and using women as pawns in a political game."
"The knowledge that she could learn to love a man had always meant more to her than loving him effortlessly, more even than falling in love, and that was why now she felt herself to be on the threshold of a new life, a happiness bound to endure for a very long time."
"The Museum of Innocence' is not about politics; it's a love story, but I think it's political in the sense that it wants to capture how a man suppresses a woman."
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