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John Schlesinger

"Yes, but I think if you look at it with a sort of gay sensibility and want everything to be positive about gay life, it could be interpreted as antigay."

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"Yes, but I think if you look at it with a sort of gay sensibility and want everything to be positive about gay life, it could be interpreted as antigay."

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Amber Hurdle

"The condition you're in at this moment is the product of your previous thoughts, to change your condition, change your thoughts."

Personal Development

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Amber Hurdle

"And there wasn't anything he wanted to do that he couldn't make time for. What did he have to mope about, really? What more did he want? Love, he could hear Eve saying. Purpose. Love. Purpose. Those are the things that you can't plan for. Those are the things that just happen. And what if they don't happen? Do you spend your whole life pining for them? Waiting to be happy?"

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Amber Hurdle

"Eleanor had never thought about killing herself " ever " but she thought a lot about stopping."

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Amber Hurdle

"An artist is he for whom the goal and center of life is to form his mind."

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Amber Hurdle

"Her pupils were at once her salvation and her despair. They gave her the means of supporting life, but they made life hardly worth supporting."

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Amber Hurdle

"The question isn't who will be with me in life, rather how will I create the ending I am proud of?"

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Amber Hurdle

"If you have never met a woman that would never give up, then you have never met a woman that has seen miracles."

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Amber Hurdle

"People who truly live their lives don't have time to complain or judge others. They're too busy enjoying life and love and everything in between!"

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Amber Hurdle

"Life is painting a picture, not doing a sum."

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Amber Hurdle

"You're dead, George. You just don't have the sense to lie down."

Explore more quotes by John Schlesinger

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John Schlesinger
"Still, the film nearly didn't happen a number of times. There were great arguments with United Artists about how to reduce the cost because they were nothing if not conscious of the price of the film."
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John Schlesinger
"I have a feeling he felt Jon Voight had run away with the film, which he didn't, though he was brilliant in it, in a much less easy part. I just don't know what had got into him, but something had."
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John Schlesinger
"Symbolism perhaps is a bit in your face, and I've tried my best to control that as best I can as I've grown older and thought that one could approach something with a little more subtlety."
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John Schlesinger
"That attitude toward women as objects may have worked for the late Sixties, but it doesn't do so now."
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John Schlesinger
"We taped all this and then got it transcribed and picked the best lines or ideas or ways to take a scene. I've done that many times, and it can improve the script but also wreck a perfectly good scene."
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John Schlesinger
"There are certain actors who are very good at improvising, like Dustin Hoffman and Glenda Jackson."
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John Schlesinger
"No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen."
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John Schlesinger
"Oh, the relationship with actors and managers and agents and things is a terrible problem sometimes."
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John Schlesinger
"I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise."
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John Schlesinger
"I met a hustler at a dinner party. He had been invited because I was looking for an adviser to help me with the street scenes. So we put him on the film."
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