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"But I think the record will actually come from tapes that are not yet recorded."
Will,
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"Do whatever you will, but first be such as are able to will."

"Whoever battles with monsters had better see that it does not turn him into a monster. And if you gaze long into an abyss, the abyss will gaze back into you."
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"The ear disapproves but tolerates certain musical pieces; transfer them into the domain of our nose, and we will be forced to flee."
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"Whoever feels predestined to see and not to believe will find all believers too noisy and pushy: he guards against them."
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"Your will to success supersedes all other wills."

"Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you."
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"There's an institution here called the National Sound Archive, and there's a character who works there, Paul Wilson. He takes a very special interest in the history of the music and advised Martin Davidson of the existence of these tapes."

"I think it's a great document of John Stevens' originality. At that time he was already much more fully formed in his conception than I was. I was sort of struggling to keep up, and sometimes it's pretty obvious."

"The argument we always used to use was that keeping records in the catalog was good for people that were coming new to the music, but I think that was talking over a ten year or fifteen year time span."

"I think the solo playing, the decision to start playing solo, came out of having discovered what lay behind the doors that that technique opened for me."

"Certain kinds of speed, flow, intensity, density of attacks, density of interaction... Music that concentrates on those qualities is, I think, easier achieved by free improvisation between people sharing a common attitude, a common language."

"You know, the whole philosophy of ad hoc combinations has its strengths and its weaknesses."

"I think the whole question of meaning in music is difficult enough even if you hear me playing live right now in the same room! What I mean and what you take from it may be two quite different things anyway."

"If I think about the way I was drawn into the music, it was much more by recordings than by live performances."

"I think the voice does that perfectly adequately without being imitated by other instruments."

"I've been to the studio several times, and it's not that I'm not happy with what I've got, but each time I come away, I feel that I've learned something that I want to work on."
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