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"Dystopian novels help people process their fears about what the future might look like; further, they usually show that there is always hope, even in the bleakest future."
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"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."
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"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."
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"The things you were talking about. The lights and the flowers. Do they expect those things to make them romantic, not the other way around? "Darling, what do you mean? "There wasn't a person there who enjoyed it," she said, her voice lifeless, "or who thought or felt anything at all. They moved about, and they said the same dull things they say anywhere. I suppose they thought the lights would make it brilliant."Darling, you take everything too seriously. One is not supposed to be intellectual at a ball. One is simply supposed to be gay." How? By being stupid?"
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Personal Development
"A prose that is altogether alive demands something of the reader that the ordinary novel reader is not prepared to give."
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Personal Development
"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."
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Personal Development
"Real life, life finally uncovered and clarified, the only life in consequence lived to the full, is literature. Life in this sense dwells within all ordinary people as much as the artist. But they do not see it because they are not trying to shed light on it."
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"There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be."
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Personal Development
"Every novel says to the reader: "Things are not as simple as you think. That is the novel's eternal truth, but it grows steadily harder to hear amid the din of easy, quick answers that come faster than the question and block it off. In the spirit of our time, it's either Anna or Karenin who is right, and the ancient wisdom of Cervantes, telling us about the difficulty of knowing and the elusiveness of truth, seems cumbersome and useless."
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"Mythology is not a lie, mythology is poetry, it is metaphorical. It has been well said that mythology is the penultimate truth--penultimate because the ultimate cannot be put into words. It is beyond words. Beyond images, beyond that bounding rim of the Buddhist Wheel of Becoming. Mythology pitches the mind beyond that rim, to what can be known but not told."
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Personal Development
"You forget everything. The hours slip by. You travel in your chair through centuries you seem seem to see before you, your thoughts are caught up in the story, dallying with the details or following the course of the plot, you enter into characters, so that it seems as if it were your own heart beating beneath their costumes."
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"Do the other kids make fun of you? For how you talk?''Sometimes.''So why don't you do something about it? You could learn to talk differently, you know.'But this is my voice. How would you be able to tell when I was talking?"
Identity
"Could it be? Samantha Kingston? Home? On a Friday? I roll my eyes. "I don't know. Did you do a lot of acid in the sixties? Could be a flashback. "I was two years old in 1960. I came too late for the party. He leans down and pecks me on the head. I pull away out of habit. "And I'm not even going to ask how you know about acid flashbacks. "What's an acid flashback? Izzy crows. "Nothing, my dad and I say at the same time, and he smiles at me."
Family
"Look, I'm not going to have sex with him just so he'll say that he loves me, you know?"...That isn't why I was planning to have sex with Rob - to hear the words, I mean. I just wanted to get it over with. I think. Actually, I'm not sure why it seemed so important."
Desire
"How is it possible, I think, to change so much and not be able to change anything at all?"
Philosophy
"I guess it's the same way trees grow around the very vines that are killing them, so they're strangled and sustained all at once. After a long time, even pain can be a comfort."
Healing
"You can't go home again — it’s not necessarily that places change, but that people do."
Philosophy
"Everyone just wasting time because they have so much of it to waste, minutes slipping by on who's with who and did you hear."
Society
"But all you see is the crap. So you don't have to believe in anything. So you'll have an excuse to fail."
Mindset
"And suddenly I am blindingly angry at Raven--for her lectures, and her stubbornness, and for thinking that the way that you help people is by driving them against a wall, by beating them down until they fight back."
Conflict
"We are such small, stupid things. For most of my life I thought of nature as the stupid thing: Blind, animal, destructive. We, the humans, were clean and smart and in control: we had wrestled the rest of the world into submission, battered it down, pinned it to a glass slide and the pages of The Bool of Shhh."
Environment
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