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Michael Nyman

"There's always a question of duration, there's a question of who the orchestra is. No one is free to write what you want - you collaborate on a film score, and one of the good things is that someone else's work is motivating you."

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"There's always a question of duration, there's a question of who the orchestra is. No one is free to write what you want - you collaborate on a film score, and one of the good things is that someone else's work is motivating you."

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Akiroq Brost

"If you need an alarm clock, you need a new job."

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"Have convictions. Be friendly. Stick to your beliefs as they stick to theirs. Work as hard as they do."

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Akiroq Brost

"So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work."

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"I've never been one who agonizes over my work."

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"The best preparation for tomorrow is to do today's work superbly well."

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"Fortunately, both television adaptations and the film I've been involved with are pieces of work that I'm proud of, so I'm very happy for people to focus on them."

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Akiroq Brost

"Read the Bible. Work hard and honestly. And don't complain."

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Akiroq Brost

"Our highly qualified teachers not only work hard, but they care about each and every student that enters their classroom. I thank you, Montana teachers, for your sense of duty and compassion to our precious future generation."

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Akiroq Brost

"I'm a performer. I push the envelope, I work in a very uncontrolled manner onstage. I do a lot of free association, it's spontaneous, I go into character."

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Akiroq Brost

"The strategy of my coach and me was that we looked at pictures of all the best pole vaulters from around the world, and we took the best parts from them, and we created a person that had never existed. We then started to work toward being such a person."

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Michael Nyman
"I'm like a decathlete who does all of the events he's used to, but is being forced by certain circumstances to focus on three events, and being forced to focus on events that he wasn't that interested in, and also weren't his strongest events."
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Michael Nyman
"I'm not saying that there weren't other inherent problems with the score that couldn't have been overcome with a bit of remixing, but why did they ask me to do it, and why did Griffin ask me to do it this way, for a film that had nothing to do with American vernacular?"
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Michael Nyman
"I was rather disappointed, because the one thing I wanted to gain from that opportunity was to add something to his music, and have him add something to mine."
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Michael Nyman
"There's always a question of duration, there's a question of who the orchestra is. No one is free to write what you want - you collaborate on a film score, and one of the good things is that someone else's work is motivating you."
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