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"All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel."
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"Her sample drawings were clipped, rather subordinately, to her photograph. All of them were arresting. One of them was unforgettable. The unforgettable one was done in florid wash colors, with a caption that read: 'Forgive Them Their Trespasses.' It showed three small boys fishing in an odd-looking body of water, one of their jackets draped over a 'No Fishing!' sign. The tallest boy, in the foreground of the picture, appeared to have rickets in one leg and elephantiasis in the other--an effect, it was clear, that Miss Kramer had deliberately used to show that the boy was standing with his feet slightly apart."

"Only the foolish, blinded by language's conventions, think of fire as red or gold. Fire is blue at it's melancholy rim, green in it's envious heart. It may burn white, or even, in it's greatest rages, black."

"Rams wrapped in thermogene beget no lambs."

"The the glow become brighter: a holographic golden sickle with a few sheaves of wheat, rotating just above Meg McCaffrey.A boy in the crowd gasped. 'She's a communist!'A girl who'd been sitting at Cabin Four's table gave him a disgusted sneer. 'No, Damien, that's my mom's symbol."

"There was a necklace inside. A thin silver chain with a small pendant, a silver pansy."

"His gaze, bluntedby the unnumbered processionof iron bars, uncountedas his softly padded steps.Smooth motion of blood and sinewturning in its own, small circleprescribed by bars and walls...and skin, confined.Suddenly, without warning,a flash of light and imagepierces the caged brain,and passing through its beating heartto stillness finds its way."
Explore more quotes by Margaret Atwood

"For me the experience of writing is really an experience of losing control. I think it's very much like dreaming or like surfing. You go out there and wait for a wave, and when it comes it takes you somewhere and you don't know where it'll go."

"How did the war creep up? How did it gather itself together? What was it made from? What secrets, lies, betrayals? What loves and hatreds? What sums of money, what metals?"

"Neither of us says the word love, not once. It would be tempting fate; it would be romance, bad luck."

"Her face is silting up, like a pond; layers are accumulating. Every once in a while, when she can afford the time, she spends a few days at a spa north of the city, drinking vegetable juice and having ultrasound treatments, in search of her original face, the one she knows is under there somewhere; she comes back feeling toned up and virtuous, and hungry."

"What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be."

"Like preachers, I sell vision,like perfume ads, desireor its facsimile. Like jokesor war, it's all in the timing.I sell men back their worse suspicions:that everything's for sale."
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