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"As a friendly one. I would still like to write concrete poems, but I can only do it sometimes."
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"I would not say I chose to write long poems on a conscious level. The long poem has been a relative constant."
Author Name
Personal Development
"Almost anything is too much. I am trying in my poems to have the reader be the experiencer. I do not want to be there. It is not even a walk we take together."
Author Name
Personal Development
"I was writing notes, but not composing poems. The Hunter began to develop out of this fragmented process."
Author Name
Personal Development
"I sometimes like to tinker with poems that have failed, ones that I have sent aside. Even years afterward, I will revisit them if there is something about them that I cannot give up on."
Author Name
Personal Development
"The title of the poems was The Only Bar in Dixon. We sent it out to The New Yorker on a fluke, and they took them and printed all three in the same issue."
Author Name
Personal Development
"I would like to be proud of having written some poems that will be remembered, but I will never know whether I will have any reason to be proud of that."
Author Name
Personal Development
"I like poems you can tack all over with a hammer and there are no hollow places."
Author Name
Personal Development
"As a friendly one. I would still like to write concrete poems, but I can only do it sometimes."
Author Name
Personal Development
"I consider my films to be poems that are all as personal as my writing and as hand-made."
Author Name
Personal Development
"Our poems will have failed if our readers are not brought by them beyond the poems."
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Personal Development
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"I came to these mediums through having the garden, and of course, people who have designed gardens have always worked in collaboration, and never made their own inscriptions."
People
"I have often said that just as the French revolution, for instance, understood itself through antiquity, I think our time can be understood through the French revolution. It is quite a natural process to use other times to understand your own time."
Time
"People have always found me challenging - I don't know why, when I am only being myself. I don't understand why they find me so annoying but they do. It is pity, but that is how it is."
People
"But you have to understand that I consider myself a very modest artist, or whatever, and not of importance really at all - it is quite embarrassing to me to be asked my opinion about things. I am only a wee Scottish poet on the outside of everything."
Art
"However, I don't feel the world is looking over my shoulder when I am working - I never think about this at all. What I think about is trying to make my work pure, and if it is pure then it can be accessible. It is quite straight forward really."
Work
"No, I don't make my work in order to challenge or confuse other people's expectations - I only do what I find natural."
Work
"Well, probably I was fed up with concrete poetry. There was a lot of bad concrete poetry and besides, it was confused with visual poetry which was completely different."
Poetry
"The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture."
Trust
"I am always a beginner. I only try to include different parts of life; the pastoral, the tragic, et cetera."
Life
"As a friendly one. I would still like to write concrete poems, but I can only do it sometimes."
Poems
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