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"The real world is in a much darker and deeper place than this, and most of it is occupied by jellyfish and things. We just happen to to forget all that. Don't you agree? Two-thirds of earth's surface is ocean, and all we can see with the naked eye is the surface: the skin."
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"Nature never deceives us; it is we who deceive ourselves."

"Like the ocean, never forget to be generous with your love."

"Plant the trees just for beauty,If flowers bloom or fruits ripen, Enjoy it as a gift and appreciate nature as a universal giver."

"Regardless of all our pretenses, deep within, we are still unconsciously the same old cave-people."

"Forgetting nature is like forgetting your mother. Remember you are a child of nature. You are connected to it and belong to it. So don't forget to protect her."
Explore more quotes by Haruki Murakami

"Okay, let's put it this way. I would like to sleep with you. But it's alright if I don't sleep with you. What I'm saying is I'd like to be as fair as possible. I don't want to force anything on anybody, any more than I'd want anything forced on me. It's enough that I feel your presence or see your commas swirling around me."

"In dreams you don't need to make any distinctions between things. Not at all. Boundaries don't exist. So in dreams there are hardly ever collisions. Even if there are, they don't hurt. Reality is different. Reality bites. Reality, reality."

"The heart and flesh of an empty shell give birth to nothing more than the life of an empty shell."

"Haida stopped and glanced at the clock on the wall. Then he looked at Tsukuru. He was, of course, Haida the son, but Haida the father has been the same age in his story, and so the two of them began to overlap in Tsukuru's mind. It was an odd sensation, as if the two distinct temporalities had blended into one. Maybe it wasn't the father who had experienced this, but the son. Maybe Haida was just relating it as if his father had experienced it, when in reality he was the one who had. Tsukuru couldn't shake this illusion."

"The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues....[But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings."

"Somewhere between 'not enough' and 'not at all.' I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it - to be fed so much love I couldn't take any more. Just once. But they never gave that to me. Never, not once."

"Whenever she felt like crying, she would instead become angry-at someone else or at herself-which meant that it was rare for her to shed tears."

"I always felt as if I'd been handed a cardboard box crammed full of monkeys. I'd take the monkeys out of the box one at a time, carefully brush off the dust, give them a pat on the bottom, and send them scurrying off into the fields. I never knew where they went from there."
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