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"All ideas grow out of other ideas."
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"Often the inspiration to write music comes from the voices in your head. You're not crazy. Just be thankful they are not making you rescue people in 20-degree weather at 2:30 in the morning in the forest."


"It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it."


"When the work is the best work, it's more like being a secretary than it is a creative person, you just sort of take the stuff down."


"Like anything else that happens on its own, the act of writing is beyond currency. Money is great stuff to have, but when it comes to the act of creation, the best thing is not to think of money too much. It constipates the whole process."


"You say grace before meals. I say grace before I dip the pen in the ink."


"They say it's a dangerous experiment to include dreams (actual dreams or otherwise) in the fiction you write. Only a handful of writers - and I'm talking the most talented - are able to pull off the irrational synthesis you find in dreams."


"To most, being locked away in solitary with nothing but pen and paper would prove a hard punishment. What a strange creature who views this as heaven."


"Writer's block results from too much head. Cut off your head. Pegasus, poetry, was born of Medusa when her head was cut off. You have to be reckless when writing. Be as crazy as your conscience allows."


"With dark raven paper and twinkling white ink, I wrote my heart in the night's sky."


"I love words. I crave descriptions that overwhelm my imagination with vivid detail. I dwell on phrases that make my heart thrum. I cherish expressions that pierce my emotions and force the tears to spill over. In essence, I long for a writer's soul sealed in ink on the page."
Explore more quotes by Anish Kapoor

"I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to."

"One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?"

"I think I understand something about space. I think the job of a sculptor is spatial as much as it is to do with form."

"My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing."

"What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world."
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