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"The problem of direct colour photography has been facing us since the turn of the last century."
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"With the selfies, a photographer has finally found his place in a photograph."

"All photographs are memento mori. To take a photograph is to participate in another person's (or thing's) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time's relentless melt."

"When the reality looks magnificent, a real art of photography has only one choice: To capture this beauty magnificently!"

"I knew, of course, that trees and plants had roots, stems, bark, branches and foliage that reached up toward the light. But I was coming to realize that the real magician was light itself."

"I was an artistic dilettante for a while, in photography and collage and the visual arts."

"Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does."

"Today, I'm very careful not to mention very specific locations when I write or give captions."

"Actually, I'm not all that interested in the subject of photography. Once the picture is in the box, I'm not all that interested in what happens next. Hunters, after all, aren't cooks."

"For me, the most important thing I learned was just honing my eye. I think I had a good eye."
Explore more quotes by Gabriel Lippmann

"When the shot is afterwards subjected to white light, colour appears because of selective reflection."

"The plate at each point only sends back to the eye the simple colour imprinted. The other colours are destroyed by interference. The eye thus perceives at each point the constituent colour of the image."

"The length of exposure (one minute in sunlight) is still too long for the portrait. It was fifteen minutes when I first began my work. Progress may continue."

"In the case of composite colour, an infinity of systems must be obtained for maxima infinitely slight and with an infinity of interval values separating them - that is to say, the whole thickness of the sensitive layer is occupied in continuous manner by these maxima."

"The problem of direct colour photography has been facing us since the turn of the last century."
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